A Quote by Carrie Brownstein
I think, for some artists, the fear of taking on a political identity stems from not wanting to be pigeonholed as political actor or a political musician. It becomes this thing where somehow your art can no longer exist on its own and be multifaceted.
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Whether you want it or not,
your genes have a political past,
your skin a political tone.
your eyes a political color.
...
you walk with political steps
on political ground.
Some people feel that it's controversial if I say that because my dad is known as a political artist. But I don't really believe that he was a political artist. I think some of his songs were political, and I think they were incredible because he was able to make art that was political and that wasn't pedantic. But I think he was unique in being able to do that.
All good art should be political, I think, and inevitably it all becomes political really, in one way or another.
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
My art gets called political, as opposed to my intending it to be political. I think that's something that happens with black artists or marginalized voices trying to speak truth. Because there are things in the status quo to speak out against, speaking out against them will inherently be political.
I think that political parties are fuelling this fear in order to create divisions. The more we bring up fear, the more we neglect real political issues. Political debate in France is crumbling since every single issue is brought to Islam now.
When I was younger, I used to be very impatient with anyone who wasn't doing overtly political work. I've since come to feel that some writers have an appetite or a need for the political, for political discourse, for historical political subjects.
We have become a nation ruled by fear. Since the end of the Second World War, various political leaders have fostered fear in the American people--fear of communism, fear of terrorism, fear of immigrants, fear of people based on race and religion, fear of gays and lesbians in love who just want to get married and fear of people who are somehow different. It is fear that allows political leaders to manipulate us all and distort our national priorities.
I think I've yet to do the big heave is because New York editors tend to think D.C. guys like me want to do political stories. And I hate politics for its own sake. Politics are so... I don't know, political. Which is an odd thing for a guy to say, I suppose, who has worked at a political magazine for fourteen years.
Art does not organize parties, nor is it the servant or colleague of power. Rather, the work of art becomes a political force simply through the faithful representation of the spirit. It is a political act to create an image of the self or of the collective.
Let me see: art and activism. I can always fall back on, "the question should be, what isn't political? Everything you do is political, even if it's abstract. You're making a political statement even if it's unwittingly." I think so much of art is unconscious anyway, the artist doesn't know the real reason they're doing it. They're just kind of going along with it intuitively.
The attempt to divide art and politics is a bourgeois which says good poetry, art, cannot be political, but since everything is … political, even an artist or work that claims not to have any politics is making a political statement by that act.
My problem with political art is not that it's bad art necessarily, but that it is terrible politics. We're talking about a closeted person with minimum contact with reality who has trouble tying his f**king shoes! And he's supposed to be political? A bus driver has a better perspective on things. Artists are completely indulgent.
I'm a spiritual musician, I think there has been enough political musicians and I think everything that can be said has been said about political, social things, you know, and there's still some more to be said but not much.
I read at least one periodical every month by a political group I dislike - to keep some sense of balance. The overwhelming stupidity of political movements is caused by the fact that political types never read anything but their own gang's agit-prop.
For me, what is political is very personal. Politics are not this abstract idea. Laws are the rules that dictate how we live our lives. What we eat is political. How we dress is political. Where we live is political. All of these things are influenced by political decision-making, and it's important to be part of the process.
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