A Quote by Carrie Brownstein

With Portlandia, I don't think our intention is always to find something funny. Sometimes the humor comes from taking something really seriously. We're okay with making somebody feel uncomfortable or uneasy.
Humor has become so cliche and boring that nothing's funny anymore unless it involves something totally disgusting that offends somebody or makes them feel really uncomfortable.
That word 'funny' always makes me feel uncomfortable. Because if I were trying to be funny, I would be something like Bill Wegman - he really tries to be funny. I don't try to be funny. It's just that I feel the world is a little bit absurd and off-kilter, and I'm sort of reporting.
I don't consider myself a funny girl, but I do have a sense of humor because I don't take myself too seriously. Taking yourself too seriously, I think, is not right. Life is supposed to be funny. Because if you can laugh about yourself when you made a mistake or when you did something wrong, you can learn from it.
If it's something that I feel uncomfortable with, that's a reason for me to write it. I kind of like to make myself feel uncomfortable. I think if you're starting to feel uncomfortable with something when you're writing it, that's the reason really to push on with it.
I've come to realize that you're going to get criticized no matter what. Somebody will always hate what you write, especially if you write humor for a fairly broad audience. Somebody will always find it not funny and declare you're not funny anymore. And sometimes people are just crazy.
There's always a source for humor [in politics]. If it's inappropriate to write about, if there's nothing funny about it, then it's not funny. So it sort of selects itself. It has to. And plus, often something that wouldn't be funny at the time is okay to make jokes about later.
I think humor really is the most effective way for me personally to express myself. When I see an incredible formalist painting, I respect it. I really do. I see its history and I get it. But when I pass something weird or something funny, I totally associate with it. I find myself thinking about it later that day. That's how I know something is thought provoking. That's how I know something is effective.
If I'm in an uncomfortable situation, I think I can say something funny to defuse it. Sometimes you can't.
When you're doing comedy, you're not trying to be funny. I think things are funny when the character is taking it totally seriously. I think when people are winking, it becomes slapstick, it becomes something else.
I don't think that there's necessarily a side to drama that has to be completely bleak. You have to have a flicker of humor 'cause everyone has a flicker of humor, something they find funny in life.
Something is funny, most of all, because it's true, and because the velocity of insight into this truth exceeds our normal standards. Something is funny because it's outside our accepted boundary of decorum. Something is funny because it defies our expectations. Something is funny because it offers a temporary reprieve from the hardship of seeing the world as it actually is. Something is funny because it is able to suggest gently that even the worst of our circumstances and sins is subject to eventual mercy.
I think it's important to find humor anywhere you can. In real life, with the darkest, scariest, most intense moments, if you can find something funny, that's good.
Because sometimes when someone is telling you something really important, it’s best to just let there be silence, to really think about what they’re saying. A lot of times people think they have to say something all insightful or wise or something to try and make the person feel better. But really, sometimes silence is best.
Humor is not funny. Humor is something else. Funny is a joke, sometimes silly. Comedy is deep and connected to tragedy; comedy could be deeper than tragedy, in my view.
When we put the pen to paper, we articulate things in our life that we may have felt vague about. Before you write about something, somebody says, 'How do you feel?' and you say, 'Oh, I feel okay.' Then you write about it, and you discover you don't feel okay.
One of the things that is always difficult about a collaboration is that you don't necessarily find the same thing funny. And so the challenge becomes, how do you tell the other person that you don't think something's funny? The best collaborations tend to be when you are willing to be told that. But there's also ego involved, and so there's a lot of frustration in knowing that you're writing something, and the other person, on some level, needs to think that it's funny.
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