A Quote by Carrie Brownstein
When the band first started, it was so much about carving out some space for myself and our audience and our songs.
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I remember when our first album came out. After one of our gigs, we went across the border to Mexico and the band in the bar where we were was doing covers of our songs. I don't think they understood a word they were singing but they did the songs perfectly.
I think we got started like all bands. We wanted to make some noise, hang out, and have some fun. Remember, we're from Buffalo - there isn't really that much to do. When we started we were a cover band and slowly developed our own material.
Carving out space for protected bike lanes is the most cost-effective way to increase our transit capacity and move more people on our streets.
I don't want to think too much about how I'm carving and what I'm carving - you are just carving away the excess clay and there's a piece underneath there. And it's kind of like getting out of the way. Maybe that's what the commonality is: It's getting out of the way so that the art can speak.
I consider us to be one of the first Internet-based bands, especially because we basically started our entire band via the Internet. Before MySpace Music even existed, we had a band MySpace page. We were one of the first fifty bands on PureVolume(.com), and we really built everything from the Internet. That's how we started talking to record labels, that's how we booked our first tours. Without the Internet social networking, like Twitter, we definitely wouldn't be where we are today. It is a huge part of the band.
When we first started playing in the early days, none of us really had any idea about writing our own songs yet. We were struggling how to learn our instruments and play songs to be able to perform for people.
We do what we want to do. We write songs. We try not to repeat ourselves too much. We have our own sound and our own way of doing things. Up until now it has always been enjoyable. None of the members have ever got to the point where they don't want to be involved in it ... It's not entirely possible for me to stand back and look at the Rolling Stones because being a part of it you can't. I wish that I could just sit in the audience for one night and see the show. Everyone in the band has said that at some point. But then you wouldn't be seeing the whole band. And that's the problem with that.
A lot of our songs are based in reality but imagined or using fictional characters as a way to write about something. I think inspiration comes from anything and everything, and it's filtered through our brains, and it comes out sounding like our band.
We never really write 'love' love songs. There's always something twisted about them. But as far as love songs, women just became way more important to us after we turned 21, as a band in general. Kind of broke up our boyhood solidarity as we started branching out into babes.
We are a band that stylistically crosses a lot of barriers and generational gaps. The heavier portion of the band, the modern music elements, the visual part of the band appeal to a younger audience. For an older audience, we have chops and great songs that are reminiscent of the things that were great about rock and roll when they enjoyed it. We're the kind of band that can cross those lines.
Everybody in Lynyrd Skynyrd loves different styles of music, and our minds are very open when it comes to writing our songs and making the band true to what the band is, but also stepping out and doing something current.
When we were a quiet, little-noticed channel telling stories from Russia, our audience was negligible. When we started being really provocative... our audience started to grow.
The act of the being in the band has very little in common with writing songs. The songs come out of it, and the band is necessary for the songs to emerge, but the band doesn't exist just so the songs can emerge.
When we started out in the U.K., there were songs that we made, we put them on the Internet, and we immediately started touring the U.K. We borrowed our friend's mum's car, and drove ourselves around for, like, a year playing gigs in pubs and tiny little venues. In that respect, we're pretty grass roots as a band. We've done all that together.
We, as a band, are going to try to do a remix pack for some of our latest songs and do as much as we can. Every single that we release gets that. That's the thing that we enjoy. You meet a lot of talented producers and DJs, you revisit friends and ask them if they want to do a remix, that's one of the beauties in it right now: hearing different versions of our versions and just being able to put those out, as well.
Ultimately, we as a band just write what we write. Some of it's very serious, and even in the serious songs, there's sometimes an angle of levity. I think that's just how we communicate naturally and to shy away from that would be, first of all, boring for me, but also it wouldn't ring true to who I am or the way I relate to people or the way we relate to people as a band or the way we relate to the audience. Humor is a big part of it, but we also take our craft very seriously.
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