A Quote by Carrie Brownstein
Writing isn't necessarily about what one knows but what one wants to know.
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Whereas the town knows all about you already and wants to know more and wants to beat you with what it knows till how can you have any of yourself left at all?
When the Spirit of God comes into us, He wants to be Himself in us. He wants His energy to be poured through us. He wants His wisdom to be deposited in our hearts. He wants His instinct and nature to be evident and obvious in you.He wants us to see what He is looking at, to feel what He feels, to know what He knows, to work with His projects, see life the way He sees it, get His ideas and know His opinion about yourself and others.
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
As soon as your mind knows that it's on and it's supposed to produce some lines, either it doesn't or it produces things that are very predictable. And that's why I say I'm not interested in writing something that I thought about. I'm interested in discovering where my mind wants to go, or what object it wants to pick up.
I don't really know how writing process happens, how these songs are arrived at. One of the things I like about the writing process is, I don't necessarily know where it's going, and even if I think I know where it's going, it'll turn out different. I find that exciting and rewarding.
It's one thing to be dumb or ignorant or be in over your head. But if you can be the person who knows how much he does not know and be curious about the things you do not know, then that automatically lends itself to being a big-hearted, welcoming person who wants to know about every single person you meet.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
You usually get one or the other, you get someone who knows how to tell a story but they don't necessarily know about light and camera and rhythm, or you get someone who can make beautiful images but they can't necessarily tell a great story. He does both and I think he's going to be one of the film-makers that our time is remembered for.
That is a big turn-on for me, a director who knows what he's doing and what he wants, and knows when he's gotten what he wants.
The creative person wants to be a know-it-all. He wants to know about all kinds of things-ancient history, nineteenth century mathematics, current manufacturing techniques, hog futures. Because he never knows when these ideas might come together to form a new idea. It may happen six minutes later, or six months, or six years. But he has faith that it will happen.
I didn't necessarily want to be famous growing up, but I knew I would be a good famous person because I'm not offended if somebody comes up to me and knows things about me and wants to engage me in a conversation.
If a writer knows enough about what he is writing about, he may omit things that he knows. The dignity of movement of an iceberg is due to only one ninth of it being above water.
The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.
I am keenly aware that in writing about my mother, I am writing about my aunts' sister, and that in writing about my grandmother, I'm writing about their mother. I know that my honesty about how my view of these people has changed over the years may be painful.
What's an expert? I read somewhere, that the more a man knows, the more he knows, he doesn't know. So I suppose one definition of an expert would be someone who doesn't admit out loud that he knows enough about a subject to know he doesn't really know how much.
You have to understand the medium you're writing for. People jump into writing musicals without realizing how complicated they are. Knowing one form doesn't necessarily mean you know the other. You have to be comfortable with it.
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