A Quote by Carrie Brownstein

With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
I think people would describe a lot of Sleater-Kinney as unsettling. And I don't think our best moments have sonic assonance to them. I think that we are best with a little bit of... a caustic attitude and tone.
This band has a weight to it. Our songs feel important to play... That was missing in my life without Sleater-Kinney.
Sleater-Kinney is a band that we hold close to our hearts as well; it's not something that we're cynical or jaded about. We only feel gratefulness and appreciation for other people's enthusiasm about it. We would never be annoyed by that.
Part of this whole Sleater-Kinney 2.0 is breaking the rules. We wanted to tell our story... we feel like we need to stand up for ourselves.
We've always prided ourselves on putting together a great live show. That's something that means a lot to us because our bread and butter is the live tour.
You don't hear it on the radio. There's something about the voices in Sleater-Kinney that's a little too challenging to ever be on the inside.
What gets me excited by the process of making art is how unrelated elements get fused, which is a formal process. The content is the easy part. Putting it together in a way that's cohesive is the challenge.
With Sleater-Kinney, we have a lot of earnest fans, and we were an earnest band.
I'm always going to be making costumes. It's one of the ways I relax my brain. In addition to the pleasure of having the piece, there is a deep and abiding pleasure for me assembling something in my head - learning to know something in its totality in my head, and then putting together all the constituent parts into a cohesive whole.
I think God has a special way of putting things together when you do the right stuff even though you make a lot of mistakes, you learn something. You don't live by them you learn from them and you move on.
A campaign is a complex organism that requires expensive parts. Finding the right parts and meshing them together into a cohesive working unit is an art in and of itself.
I've been sort of writing sketches for songs on my own forever and putting them down on cassette tapes. Yet for years and years and years, my main songwriting outlet was as a member of Sonic Youth, and for most of our time together, our best songs were written in a group setting, where the four of us were getting together in a room.
I saw Sleater Kinney perform back when I was in college.
I loooved Sleater-Kinney like a crazy person.
Bringing together disparate personalities to form a team is like a jigsaw puzzle. You have to ask yourself: what is the whole picture here? We want to make sure our players all fit together properly and complement each other, so that we don't have a big piece, a little piece, an oblong piece, and a round piece. If personalities work against each other, as a team you'll find yourselves spinning your wheels.
What I appreciate about Sleater-Kinney is that we did six records, and they all felt different. It was a band that was able to encapsulate different sensibilities because we were focusing on it as music and art and not as a statement.
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