A Quote by Carrie Brownstein
I love Joy Williams, Lorrie Moore: such great short-story writers.
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I really like sardonicism and wit. I love the writing of Joy Williams and Lorrie Moore. I like Tina Fey, Amy Schumer.
I love fiction. I like reading short stories. Cupcakes, pop songs, Polaroids, and short stories. They all raise and answer questions in a short space. I like Lorrie Moore. Amy Hempel. Tim O'Brien. Raymond Carver. All the heartbreakers.
Early influences included Lorrie Moore, Amy Hempel, Charles Baxter, Richard Ford, Alice Munro, Denis Johnson - writers who are important to me still and who I discovered through my teachers.
I read Lorrie Moore and Marilynne Robinson and Jhumpa Lahiri and Richard Ford, John Updike, Anton Chekhov, Vladimir Nabokov - all of whom I really fell in love with.
Anything by Lorrie Moore speaks to a certain kind of person.
Some of the writers I admire who seem very, very funny and very emotional to me can develop a closeness with the reader without giving too much of themselves away. Lorrie Moore comes to mind, as does David Sedaris. When they write, the reader thinks that they're being trusted as a friend.
I love the necessary ambiguity of short stories - there simply isn't time to render every detail, so much of the story that orbits the literal prose must happen in the reader's imagination. Who knows, maybe the dwindling attention spans means a lucrative future for short story writers.
I've always loved short stories. Even before I was a writer, I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me.
What I also love about Lorrie Moore stories is they take me a long time to read. They're not easy for me because each sentence, I feel like, is so rich and dense, it just sends me off in a thousand directions.
It wasn't until I was an adult reader that I began to fathom the influence of fairy tales on writers I was in love with over the years, from Louisa May Alcott to Bernard Malamud to John Cheever to Anne Frank to Joy Williams.
Because in both TV and film every story under the sun is being told, and so music shouldn't be restricted to have to follow, like, the John Williams template or something. I love John Williams, but that sound doesn't suit every story.
I've always loved short stories. Even before I was a writer I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me. Alice Munro, I felt that way about from an early time. Grace Paley.
You can write when you're dyslexic, you just can't read it. But I started writing short stories as a child and I found the short story format a real nice one. I love short stories and I love short documentaries or short films of any kind.
I read Carver. Julio Cortazar. Amis's essays. Baldwin. Lorrie Moore. Capote. Saramago. Larkin. Wodehouse. Anything, anything at all, that doesn't sound like me.
I do wish I could write like some of the American women, who can be clever and heartfelt and hopeful; people like Lorrie Moore and Jennifer Egan. But Ireland messed me up too much, I think, so I can't.
Long before I started to write in earnest, Lorrie Moore taught me you could have a woman narrator who was funny and complex and even wrongheaded. She opened up a lot of space that me and a million other women rushed into.
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