A Quote by Carrie Brownstein

I have no desire to play music unless I need music. — © Carrie Brownstein
I have no desire to play music unless I need music.
What inspires me is the desire to be on. The desire to be successful. The desire to reach people through my music and make a living off it and never have to do anything else. Being able to do music full time and travel the world and share this music with everybody. That's the dream.
Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
I listen to music when I write. I need the musical background. Classical music. I'm behind the times. I'm still with Baroque music, Gregorian chant, the requiems, and with the quartets of Beethoven and Brahms. That is what I need for the climate, for the surroundings, for the landscape: the music.
Music is a spiritual thing, you don't play with music. If you play with music you will die young. You see, because when the higher forces give you the gift of music...musicians hip, it must be well used for the gift of humanity.
My advice is if you have to do music, then do it! There's no choice in your heart and your soul - unless you have that kind of great need, desire and determination, it's pretty tough out there!
Pop music can play a large part in the way numerous young people determine their right to desire and their need to question.
You have to enjoy playing. The old-timers did, and that's one reason why their music is a lasting music. I feel that I play jazz to entertain the listener, and you just can't do that unless you yourself are entertained at the same time.
I have always loved the process of making the music, reading the letters from the fans who get married to my music, have children to my music and play my music at their funerals.
I have no clue as to where my interest and love for music came from. In fact, I have never learnt any music either, though I wish that I could just close my eyes and play the piano - that is my most cherished desire.
Earth, Wind & Fire was something new. I wanted to bring something innovative to the music. It was out of a desire to create excitement with music that was pleasurable to play and listen to.
My parents were opera singers. I didn't want to play opera because I wasn't good enough. I didn't want to play their music; I wanted to play the music that I wanted to play, and I'm so lucky that today I get to play that music, even though I don't like every song I write.
Free music, to me, is music without boundaries. It's music that... says you don't have to play a blues in three chord change. See what I'm saying? Music that can go from any range.
I don't need a sensationalized headline to sell music or to bring attention to my music. It's the music and it's always been about the music.
A lot of people may not know how competitive it is to play classical music, because when you think about it, the music that you're playing is music that's been here for years. And all you're trying to do is improve upon it when you play.
I definitely see myself as an international musician. When I play, I respect the source of the music, whether it's Cuban, Brazilian or Israeli. I try to bring that to all of the music I play. Music has no borders and no flags.
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