A Quote by Carrie Brownstein
I think I was so grateful, in the years after Sleater-Kinney broke up or went on hiatus or whatever you want to call it, to find 'Portlandia' and co-create 'Portlandia' with Fred Armisen, which allows for levity, allows for the same kind of kinetic energy, but channeled through absurdity and surrealism.
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After Sleater-Kinney broke up in 2006 I had very little desire to play music. It took well over three years before picking up a guitar meant anything to me other than an exercise.
When we came to the network, it was a very interesting time where Portlandia had just come on the air and had been very, very successful. I think people had Portlandia-sized expectations for Comedy Bang! Bang!, especially after the first episode was sampled by quite a large number of people. I remember getting the ratings after the first episode, and the network was over the moon about it. And then the second episode tanked so hard. Like, no one watched it. It was a resounding, "Hey, a bunch of people tried your show, and they all hate it!"
I liken Sleater-Kinney to a freight train. It felt like this incredible, forward-moving, powerful energy.
Absurdity is my favorite brand of humor because deep down inside, in our subconscious, it's all surrealism. It's all abstract. The world is the surrealism, the absurdity, the humor - it all just overlaps.
With Portlandia, I don't think our intention is always to find something funny. Sometimes the humor comes from taking something really seriously. We're okay with making somebody feel uncomfortable or uneasy.
Part of this whole Sleater-Kinney 2.0 is breaking the rules. We wanted to tell our story... we feel like we need to stand up for ourselves.
I think the B-52's were a huge influence on Sleater-Kinney. The way that there'd be a really interesting guitar line that'd be really melodic and kind of simplistic, I really related to that. The sense of melody is really intense and fun. It's not just traditional song structures, but it's very melodic and draws you in, in kind of an immediate way.
I saw Sleater Kinney perform back when I was in college.
I loooved Sleater-Kinney like a crazy person.
I want to create endless possibilities with this cello. I become the medium through which the music is being channeled.
I think people would describe a lot of Sleater-Kinney as unsettling. And I don't think our best moments have sonic assonance to them. I think that we are best with a little bit of... a caustic attitude and tone.
I've seen a bunch of the 'Portlandia' episodes, and they're pretty hilarious.
When I broke up with Eric B., I went on a little hiatus. Then all I was trying do is find producers. It's real hard, man.
We almost called the 'Portlandia' show 'Stumptown.' That was the original name.
I think the worst thing you could ever do is label comedy. I'm a fan of the broadness of Lucille Ball, the subtlety of Peter Sellers and the oddballness of Fred Armisen and the wittiness of Marty Short. I'm a fan of all of it, and I want to do all of it.
They that are discontented under monarchy, call it tyranny; and they that are displeased with aristocracy, call it oligarchy: so also, they which find themselves grieved under a democracy, call it anarchy, which signifies the want of government; and yet I think no man believes, that want of government, is any new kind of government.
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