A Quote by Carrie Brownstein

I think a lot of people want stories or lives to have very distinct beginnings, middles, and endings. Generally, I think things are a little more fluid than that. — © Carrie Brownstein
I think a lot of people want stories or lives to have very distinct beginnings, middles, and endings. Generally, I think things are a little more fluid than that.
Catherine Land liked the beginnings of things. The pure white possibility of the empty room, the first kiss, the first swipe at larceny. And endings, she liked endings, too. The drama of the smashing glass, the dead bird, the tearful goodbye, the last awful word which could never be unsaid or unremembered. It was the middles that gave her pause. This, for all its forward momentum, this was a middle. The beginnings were sweet, the endings usually bitter, but the middles were only the tightrope you walked between the one and the other. No more than that.
Oddly, the meanings of books are defined for me much more by their beginnings and middles than they are by their endings.
The beginnings were sweet, the endings usually bitter, but the middles were only the tightrope you walked between the one and the other. No more than that.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. … The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.
Where are the beginnings, the endings, and most important, the middles?
People relate to things that feel real to them. All the good, happy, over-sexed and moneyed endings on TV are not the way most of us feel in our lives. The success of 'E.R.,' I think, is not relying on overly sentimental stories that are solved where people's lives wrap up nicely with happy endings.
I have a problem with beginnings... and endings... and middles. But I don't know what else I would do. I find it very, very difficult to write. It takes everything; it's physically and mentally and emotionally exhausting for me. And my neighbours. And my dog.
A society that's addicted to narratives with beginnings, middles, and endings will eventually yearn to end. We just want it to end.
Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster.
I like colorful tales with black beginnings and stormy middles and cloudless blue-sky endings. But any story will do.
You're searching... For things that don't exist; I mean beginnings. Ends and beginnings - there are no such things. There are only middles.
I don't want to be married to any ideology, because life is a lot more fluid than that, and I think that we're trained and conditioned in this country to think in teams.
I like to tell stories that have beginnings, middles and ends.
We underestimate teenagers at our peril. Even the dismissive thing out on the street--look at what they're wearing. Then we'll hear stories about how a toddler fell on the tracks, and it's often a teenager who comes to the rescue and walks away because he or she doesn't want any credit. I recognize it because I've written books for teenagers--it's basically that they feel things more than adults do. They want things more than you think. They want things with greater depth than you think they do. Teenagers have got a lot of soul that adults have forgotten they have within themselves.
Human lives seldom conform to the conventions of fiction. Chekhov says that it is in the beginnings and endings of stories that we are most tempted to lie. I know what he means, and I agree.
Human beings love stories because they safely show us beginnings, middles and ends.
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