A Quote by Carrie Brownstein
There's something about mean-spiritedness that has a way of distancing an audience.
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Comedy is based partly on mean-spiritedness.
There is also a kind of mean-spiritedness with LA comics.
I consider it an indubitable mark of mean-spiritedness and pitiful vanity to court applause from the pen or tongue of man.
Bruce Springsteen really got any creative person's dream career, and his good-heartedness and good-spiritedness are part of it: both because it made the people behind the scenes want to do their jobs that much better, but it also means that he connects with an audience in a way that holds them close.
I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will write for one, because you have to give the listener something and he has to make an effort in order to understand certain things.
Social distancing does not mean isolation. Call and video chat with friends and loved ones.
I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.
There's something therapeutic about connecting with an audience - when there's something really sort of odd or silly that you think is funny, and conveying it to an audience.
Social distancing means that celebrity parties and gatherings are still a long way off, but I'm not in the least bit bothered about them starting up again.
Emotionally, light very much influences, I feel, the audience. It's not something that most audience members are conscious of, which is a good thing, because it means as filmmakers, we have the opportunity to gently control an audience into feeling a certain way.
I don't have a lot of shame. That doesn't mean I can't feel bad about the way someone reacts to me or about something I read about myself online. But I don't have a lot of guilt, no. I've always been this way. I'm missing a chip.
The key is to constantly keep the audience surprised. If they feel like something is going to happen, or they think from an educational standpoint that something is about to happen because of all the moving parts, it is your job to break that expectation and show the audience something different.
In films, you are a commodity. You are a look, something that the camera really likes, something that has struck an audience in a certain way. It's not really so much about transforming yourself the way actors do onstage. I think there's a difference between the skill of acting in movies and onstage.
Finding your way doesn't mean surviving, just as pleasing an audience doesn't mean twisting your editorial around search engine optimization and Facebook algorithms.
Sometimes they threaten you with something - something you can't stand up to, can't even think about. And then you say, Don't do it to me, do it to somebody else, do it to So-and-so. And perhaps you might pretend, afterwards, that it was only a trick and that you just said it to make them stop and didn't mean it. But that isn't true. At the time when it happens you do mean it. You think there's no other way of saving yourself, and you're quite ready to save yourself that way. You WANT it to happen to the other person. You don't give a damn what they suffer. All you care is yourself.
The feelings of being in the audience and being on the podium are very far apart. When you're onstage and something goes wrong, you can do something about it. In the audience, you just have to sit there, and if it's a disastrous performance, I'm the one that gets blamed.
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