A Quote by Carrie Brownstein

I think there's a lot of wonderful comics that leave you hanging in a state of apprehension or anxiety before alleviating that tension with a joke. — © Carrie Brownstein
I think there's a lot of wonderful comics that leave you hanging in a state of apprehension or anxiety before alleviating that tension with a joke.
A good joke provides tension, and then, release of that tension. You build the tension by saying things that are controversial. The release is the laugh. The bigger the surprise or insight in your joke, the bigger the laugh.
I think there is too much wrong with the world to ever get too relaxed and happy. The more natural state, and the better one, I think, is one of some anxiety and tension over man's plight in this mysterious universe.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
I am new to superhero comics, though growing up I read Archie comics, religiously. I've been doing a lot of catching up, reading what's out there and it's been wonderful to see what's going on in contemporary comics.
The fact that so many comics were waiting to jump on the bandwagon of hate toward me - what is it about me that engages this kind of behavior? I began to see it: My cockiness, my lack of hanging out with other comics. A lot of that wasn't my fault.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
I like people a lot, but I am not comfortable in literary New York situations. There is deep anxiety and tension around success here. I don't share problems I'm having about my work, and I think conversations around publishing are boring.
I think that a lot of people are making a lot of money spreading anxiety. Anxiety sells.
Tenser, said the Tensor. Tension, apprehension, and dissension have begun.
A lot of comics aren't their on-screen personas; Chris Rock isn't always ranting and raving. What I do is make myself this over-the-top character that people either find endearing or they think is a joke. Then I can do anything I want.
A person who suffers from severe locomotor anxiety finds himself in an almost permanent state of mental tension. He wakes in the morning with the anxious expectation of having to go out somewhere in the course of the day.
One thing I hate in ethnic comedy is giving the audience the opportunity to laugh in a racist way at a thing. A lot of times dwarf comedians will do that, Arab comics, and gay comics will do it; everyone is laughing, but they're not laughing at the joke, they're laughing at this crazy character.
I don't believe in a lot of schmoozing and buttering up. Not that you don't become friends in work. But I think it's a misconception that you have to do a lot of hanging before you work.
To think that I know what's best for anyone else is to be out of my business. Even in the name of love, it is pure arrogance, and the result is tension, anxiety, and fear. Do I know what's right for me? That is my only business. Let me work with that before I try to solve problems for you.
Show me one guy or woman as funny as Rodney Dangerfield or as good as George Carlin, Richard Pryor, Bill Cosby, or Joan Rivers. There are a lot of good comics out there, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics.
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