A Quote by Carrie Fisher
A story a friend told me about being in New York and meeting this Latin-lover kind of guy. They went up to her hotel room, and the guy kind of pounced on her and told her to spread her legs, shouting, "Surrender the pink! Surrender the pink!" That's where it's from.
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A friend of mine told a story about a date with a guy she was really excited about: He stood her up. He then called her, begging her forgiveness and giving some excuse. She told him to get lost, telling him that he only gets one shot with her, and he blew it.
Her little shoulders drove me mad; I hugged her and hugged her. And she loved it. 'I love love,' she said, closing her eyes. I promised her beautiful love. I gloated over her. Our stories were told; we subsided into silence and sweet anticipatory thoughts. It was as simple as that. You could have all your Peaches and Bettys and Marylous and Ritas and Camilles and Inezes in this world; this was my girl and my kind of girlsoul, and I told her that.
She needs someone who will be everything for her: her friend, her boyfriend, her confidant, her lover and sometimes even her enemy.
It was that surrender he needed. That complete feminine submission to every stroke, every caress, ever naughty act. Only in that submission would the subconscious trust, the bond he needed between them, come. He wanted her to trust, to know, to instinctively understand that he was more than just her lover; he was her other half. The one she told her secrets to. The one, she made secrets with.
Tina Fey's autobiography is very, very funny and very well written. It's her life story: it's about how she grows up in New York. There's no obvious reason why I should enjoy this - I mean, this is the autobiography of a woman in her early 40s in New York. I'm a guy from a small town in Denmark.
I have a memory of listening to Tracy Chapman and just being intrigued by her voice. Even as a young girl, I wanted to know more about her and her story. I felt I was learning about her through her music. That was a revelation to me.
Emma hears me come up the stairs and asks me to watch a movie with her. I stick Band-Aids on my weeping cuts, put on pink pajamas so we match, and snuggle with her under her rainbow comforter. She arranges all of her stuffed animals around us in a circle, everyone facing the TV, then presses play...Ghosts dare not enter here.
You're going to get yourself into a lot of trouble." "Why?" "Because of her right there. Do you know what Daisy would do if you ever cheated on her." "Move on to the next guy that told her she has nice tits." "Okay, you're probably right on that one.
She didn’t understand why it was happening,” he said. “I had to tell her she would die. Her social worker said I had to tell her. I had to tell her she would die, so I told her she was going to heaven. She asked if I would be there, and I said that I would not, not yet. But eventually, she said, and I promised that yes, of course, very soon. And I told her that in the meantime we had great family up there that would take care of her. And she asked me when I would be there, and I told her soon. Twenty-two years ago.
and standing before me a bloodied bottle of Absolut in her hand, is Mrs. Allington, her pink jogging suit drenched, her chest heaving, her eyes filled with contempt as she stared down at Rachel's prone body. Mrs. Allington shakes her head. "I'm a size twelve," she says.
From the moment I told her about my dad, it was as if her whole body sighed in relief. As if someone else’s misery comforted her, made her feel as if she wasn’t alone.
He just didn't look like the kind of creep that would messily murder a woman in her hotel room; he looked like the kind of creep that could line her up in the sights of an assassins rifle without a shred of emotion.
I would love to photograph Angelina Jolie. A friend of mine is working with her on her next film and told me what I was already suspecting, that she is extremely interesting. I have never seen a picture of her that conveys all of her complexity. That would be a fabulous challenge, to find that in a photograph.
I talked to my mother about it a lot. I asked her what it was like to grow up in New York and Harlem in the 1920s and 1930s, and I asked her about a woman leaving her husband. I asked her about how she would feel about that woman, and my mother grew up in the Church Of God In Christ, and she told me that the woman might be isolated because the other women thought she might go and come after their husbands. That's how they thought then.
The idea of the book ["The Japanese Lover"] came in a conversation that I had with a friend walking in the streets of New York. We were talking about our mothers, and I was telling her how old my mother was, and she was telling me about her mother. Her mother was Jewish, and she said that she was in a retirement home and that she had had a friend for 40 years that was a Japanese gardener. This person had been very important in my friend's upbringing.
Pink was my mother's favourite colour. Since her passing four years ago, I have envisaged an almond grove with thick clusters of pink, in celebration of her life and as a gentle reminder, during the darkest winter days, that kinder seasons lie ahead.
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