A Quote by Carrie Fisher

Actors may know how to act, but a lot of them don't know how to behave. — © Carrie Fisher
Actors may know how to act, but a lot of them don't know how to behave.
As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.
For me, honestly, I'm an actor. There's one thing I know how to do - act. And that's all I know how to do. Through our work, [actors] can trigger awareness.
We have to get tough with the Russians. They don't know how to behave. They are like bulls in a china shop. They are only 25 years old. We are over 100 and the British are centuries older. We have got to teach them how to behave.
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them.
The actor has to have some degree of craft, along with the talent. No one tries to laugh except bad actors. No one tries to cry except bad actors. How a character hides his feelings tells us who he is. Most people don't know that, and most actors don't do that. Therefore, there are a lot of actors who put me to sleep, that are considered good actors, but they're predictable and boring. I know how the scene is going to end before it ends.
A lot of times, directors don't know how to speak to actors, or writers don't know how to communicate.
I'm not asking actors to act. I'm asking them to behave. I want to see their being, not how they can fake it.
When I entered Bollywood, I didn't have any advantage over anyone. I didn't know how to act, I was not from the industry, I didn't know the language, and I didn't know how to dance. So, whatever films I was getting, I was just taking them up.
People are really emotionally affected by actors. And it's hard to know how to behave in a way that doesn't impose or withdraw. Because everybody wants your attention. Everywhere you go, you know?
If there's one thing that I know how to do, it's talk to actors. From what I have experienced working with so many different directors in so many different things, a lot of them don't really know how to talk to us.
When you have children your own hypocrisy becomes more apparent because you're telling them how to behave, and you're not behaving like that yourself. So it obliges one to really go in and try to look at why there is a huge gulf between how one knows one wants to behave and how one actually does behave.
I mean these people who work on Broadway, in my opinion, are the most gifted of everyone. I mean they really know how to dance. They really know how to act. They really know how to sing. They know how to perform.
Satan knows that the nature of humankind is to act out of how we feel rather than what we know. One of our most important defenses against satanic influence will be learning how to behave out of what we know is truth rather than what we feel.
I'm getting asked a lot, 'You don't have kids, so how do you know how to act like a mother?' I know nothing could compare, and I haven't had that experience, but when my niece was born, I felt like I would jump in front of a car and die for this little person I didn't even know yet.
A person who actually knows how to wear clothes...they would look good in any clothes. You see this especially at the Academy Awards. Even if the dresses are beautiful and expensive and important, the actresses can't always carry them. Sometimes I feel like saying to them, "Act! You know how to act, you're an actor. You're about to win an award for, I don't know, convincingly playing that Venezuelan nun who went to war. Now act like you can wear this dress.".
If there's anything I know about directing, it's how to make actors comfortable. It's where I started and it's what I know, and it's what I love. I like when the actors are really partners and I want them to be excited and I want them to surprise me. I don't want them to be puzzle pieces.
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