A Quote by Carrie Fisher

Sometimes I feel like I've got my nose pressed up against the window of a bakery, only I'm the bread. — © Carrie Fisher
Sometimes I feel like I've got my nose pressed up against the window of a bakery, only I'm the bread.
It matters whether women sit at the table. No one speaks up for you when you are standing outside with your nose pressed up against the glass. You cannot window-shop for power.
Tommy had felt alone in a crowd before, even inferior to everyone in a crowd, but now he felt, well, different. It wasn't just the clothes and the make up, it was the humanity. He wasn't part of it. Heightened senses or not, he felt like he had his nose pressed against the window, looking in. The problem was, it was the window of a donut shop.
I sometimes have the sense that I live my life as a writer with my nose pressed against the wide, shiny plate glass window of the"mainstream" culture. The world seems full of straight, large-circulation, slick periodicals which wouldn't think of reviewing my book and bookstores which will never order it.
A writer is an eternal outsider, his nose pressed against whatever window on the other side of which he sees his material.
He was asking too many questions and he was asking them too quickly. They were stacking up in my head like loaves in the factory where Uncle Terry works. The factory is a bakery and he operates the slicing machines. And sometimes a slicer is not working fast enough but the bread keeps coming and there is a blockage. I sometimes think of my mind as a machine, but not always as a bread-slicing machine. It makes it easier to explain to other people what is going on inside it.
I see a schoolboy when I think of him, With face and nose pressed to a sweet-shop window.
Dennis looked at the puppy in the window. We both did. It was the oddest thing. Normally, puppies in pet store windows sleep or pee or roll around on top of other dogs. This one ignored us its window-mates and was instead sitting with its nose pressed against the glass, looking at us with an extremely serious little expression on its face. An expression that seemed to me to be saying, "I am a sacred cow. Get out your wallet.
Now when it comes to getting bread I got the keys to the bakery
When I was younger, I used to look at movie stars with pencil-thin noses and think about a nose job. I've got a grown-up baby nose; it's not chiseled and structured. Then I saw how beautiful Audrey Tatou was in 'Amelie' and thought, 'She's got a nose like mine, and if she can have a baby nose, so can I.'
I had always been interested in race and racial justice, but mostly it was with my nose pressed up against the glass, looking at the South from a long way away.
We set up a bakery called Bad Boy Bakery, to cook on the inside to sell on the outside. It was huge, because it got them working. I'd give them a certificate to go back in the community with a skill. They could get a job. We set up a little bakery and it's gone crazy. I need to be that raw to do the glossy stuff. I need to get back to that kind of scenario.
I've always felt like my nose is pressed to glass. I always feel a little bit like an outsider.
Durham is the most beautiful place. Whenever I'm on a train going north I have to stand, nose pressed to the window, as we pass Durham. I don't think there's a better view in the world.
The thing about being catapulted into a whole new life--or at least, shoved up so hard against someone else's life that you might as well have your face pressed against their window--is that it forces you to rethink your idea of who you are. Or how you might seem to other people.
The first skincare product I ever got was nose strips. I was 8 years old, and I was like, 'I want to feel like a grown-up.'
I was keen on sports-that's how my nose got this way. It's not actually broken; the nose was just pushed up a little bit and moved over. It's an aquiline nose, quite Irish.
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