A Quote by Carrie Fisher

I'm the wife Spike Lee deserves. A white woman, which he says he would never be with, so let's get someone really white. I am Spike Lee's wife from Hell. I'm white and weird and I won't pay enough attention to him. If he does any more of those angry interviews, I'm going to write him and see if he wants the wife he deserves.
I don't know if it's really important, or intelligent even, when people say to me I'm a white Spike Lee, because they said to Spike Lee you're a black Woody Allen.
I was playing a role and acting. But it was different than Spike Lee's movie. Spike can say 'cut' and move to the next scene. But I was pretending to be a white supremacist, one of them. I had to act like them to make the ruse a success.
I'm interested to see what happens to Spike Lee with limited resources, you know? I love Spike Lee's movies. But you know what? I kinda liked his movies when he used to scramble and fight more for them.
Everybody knows when you've got a role in a Spike Lee movie, you're gonna blow up. But I happen to be the only person who's had the lead in the two Spike Lee movies nobody saw.
I like Spike Lee a lot. He's incredibly gifted and I don't think he gets the credit he deserves as a filmmaker.
So many people - DPs, writers, and the assistants that go on to be directors and writers - come from the School of Spike Lee. He's almost set up an Institution of Spike Lee.
Spike Lee is one of my biggest influences. What I love about Spike, other than he's just a fun guy to hang around, is that Spike is fearless. As much as people talk about him being politically outspoken, let's not forget that he's one of the best screenwriters, ever, in addition to being a visual master.
I'm going to have to call up Spike Lee. I did a cameo for him in 'Malcolm X,' and I'm trying to get him to do my life story and the history of the Black Panther Party.
The Honorable Elijah Muhammad says that the black man in America, for the past 400 years, has been like a boy in the white man's house, begging the white man for a job, for food, clothing and shelter. And then after the white man provides him with all of these things, he turns around and get - has the nerve to get angry at the white man when the white man tries to control his life.
I'm from New York, and yet I've done only one film executive-produced by Spike Lee and have never done a film that Spike Lee directed. I've never done a film that Keenan Wayans has directed, or Bill Duke.
I did this movie with Spike Lee called Sucker Free City, and that would have to be my favorite role by far. It was just so much fun to work with Spike and shoot in San Francisco.
I did this movie with Spike Lee called 'Sucker Free City,' and that would have to be my favorite role by far. It was just so much fun to work with Spike and shoot in San Francisco.
One of the things I remember as a child: There was a man named Joe Pulliam. He was a great Christian man; but one time, he was living with a white family and this white family robbed him of what he earned. They didn't pay him anything. This white man gave him $150 to go to the hill, (you see, I lived in the Black Belt of Mississippi)... to get another Negro family. Joe Pulliam knew what this white man had been doing to him so he kept the $150 and didn't go.
It's a very confusing experience living as a woman in Japan. If your husband is white-collar, the wife is blue. Even if you marry a person of status, the wife inevitably remains a rung below.
Me and Spike Lee are good friends. I got a lot of respect for Spike just because of who he is, what he stands for, and the support for that organization. Even when it was bad he was there.
'Rent' was a special project for me. It was my first notable screenplay job. I worked with two wonderful directors on it, starting with Spike Lee in the summer of 2001. I wrote a draft for Spike and he was really good to me.
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