A Quote by Carrie Jones

The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”
When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.
There's a reason a happy ending is called an ending. The trick of a television storyteller is to find all the rivers and mountains and valleys on the way to that ending.
- the only difference between a happy ending and a sad ending is where you decide the story ends.
I've remade a few movies and they all have one thing in common: great endings. If you're going to remake something, make sure that ending is tight. It's a little less challenging, if you have a great ending. If you don't have a great ending, don't remake the movie.
It was the last that remained of a past whose annihilation had not taken place because it was still in a process of annihilation, consuming itself from within, ending at every moment but never ending its ending.
Tell me a story, Pew. What kind of story, child? A story with a happy ending. There’s no such thing in all the world. As a happy ending? As an ending.
And that's the way of a real tale. Take any one that you're fond of. You may know, or guess, what kind of a tale it is, happy-ending or sad-ending, but the people in it don't know. And you don't want them to.
I always had this idea that you should never give up a happy middle in the hopes of a happy ending, because there is no such thing as a happy ending. Do you know what I mean? There is so much to lose.
To have a happy ending, choose a happy moment and call it 'the ending'. Honesty is incompatible with the amassing of a large fortune.
I want to expand the question of when something is done. I want to vex the ending. I want to mess around with that. I like the idea that if you make a work that has no clear ending, then you must play with the ending. Because if you don't, you're not highlighting the weird, lovely openness of abstraction.
The world was ending then, it's ending still, and I'm happy to belong to it again.
You know not every book has to have a happy ending, but it has to have a satisfying ending.
You want a happy ending, but not such a ridiculous happy ending that it doesn't mean anything to anybody.
The development of the plot of the novel leads to a single point, and it's my opinion that the ending that the novel has, which is a somewhat ambiguous ending, is the only logical ending given the structure of the book as a whole.
You could be the leaf that never falls from the tree you could be the sun that never leaves the sky this might be the happy ending without the ending this might be a reason to try
It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.
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