A Quote by Carrie Mae Weems
I really like the structure of my body. It moves well, it looks good, it photographs well, it understands gesture and nuance.
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The human frame being what it is, heart, body and brain all mixed together, and not contained in separate compartments as they will be no doubt in another million years, a good dinner is of great importance to good talk. One cannot think well, love well, sleep well, if one has not dined well.
I hit the ball really well... had a lot of good looks at birdie all day, it's firm but you could control your golf ball, for sure. Today I controlled my ball very well. The confidence is definitely there. I feel really good about where I'm at and going into tomorrow.
My work is not so overtly about movement. My horses' gestures are really quite quiet, because real horses move so much better than I could pretend to make things move. For the pieces I make, the gesture is really more within the body, it's like an internalized gesture, which is more about the content, the state of mind or of being at a given instant. And so it's more like a painting...the gesture and the movement is all pretty much contained within the body.
Homosexuals love to look good. They're clean, neat. They're fastidious, well mannered and well educated. They like aesthetic things. They like good, firm, tight bodies. Health. They want to attract other guys. What's wrong with that? Why be slobs? You've got to be insane to suggest that because someone looks good, he must be gay. That's envy.
It was trying to make my tennis game look mildly respectable, which I found you don't even really need to practice if you have a really good editor. They can edit it and you're like, "Hey, it looks like I'm playing really well." That was the fun part, but it was like going to summer camp.
I want to go places where there are really well-meaning people doing work that is interesting and seems to really matter and where everybody looks like at least once a day they have a really good laugh.
There's this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn't really interest me. To me, it's kind of like saying, 'Well, when you do a painting, you always need to have sky here, the person here and the ground here.' Well, you don't.
I think I have learned to really get out of the mathematical side of myself that looks at story and story structure and go with, "Okay, well, what would people do in real life?"
People say: But photographs are all lies. That's not the point. The lie is a truth, too. How the hell are we going to know what Kissinger looks like? Well, the photograph tells us one version; I'm trying to tell it also, but differently.
That kind of unease, that melancholy, is of course partly my interpretation, but partly, I think, it's something that's really there [in America] as well. It resonates with this moment and the sort of alienation from the power structure a lot of people feel, as well as a certain amount of desperation, in the hope of disrupting the power structure so they can live better lives. I think in those ways, it's intimately connected to today.
I did like Robert Vavra's book not only for its so very good photographs but for the text as well. He's no ordinary fellow, obviously.
When you have a beanpole body, everything looks cute. Like Alexa Chung. I like her style, but she's really tall and skinny, so everything looks good on her.
No art is any good unless you can feel how it's put together. By and large it's the eye, the hand and if it's any good, you feel the body. Most of the best stuff seems to be a complete gesture, the totality of the artist's body; you can really lean on it.
Hollywood seems to succumb to fads. Well, action films do well. Give me violence. Give me a scene where there's a couple of car chases or shooting and stuff like that. They're forgetting the fact that there's a basic structure to a story that is essential to making it really broad and appealing.
Working out for me is something I do when I feel like it. But it's really about feeling good and taking care of my body rather than having to fit into any sort of model or anything like that. I try to eat well, and everything I do is really just to make me feel my best so that I can come to my job or my personal life and just feel really good.
You should draw not what the thing looks like, not even what it is, but what it is doing... Gesture has no precise edges, no forms. The forms are in the act of changing. Gesture is movement in space.
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