A Quote by Carrie Underwood
I wondered how people would take me being a country music singer. I thought about deviating from that and singing other things. But... it doesn't really make sense for me to try to be something that I'm not.
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What singing means to me, I never did consider myself a singer, I just let people watch me feel music and how it comes through me. I've worked on it and practiced a lot. I mean, music, I dance to it, and singing is just one way of getting it out of me.
I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.
I thought of the people before me who had looked down at the river and gone to sleep beneath it. I wondered about them. I wondered how they had done it--it, the physical act. I simply wondered about the dead because their days had ended and I did not know how I would get through mine.
My only advice as an experience older singer is about singing, it isn't about music. To have a career in music is a completely different question and leads to other kinds of advice and other kind of experts. All you can do is someone planted in my mind very early on, this wonderful truism called, "Fortune favors the prepared mind." Be passionate about being a musician. There is no limit to how hard you must work and how detailed you must be in every facet of what you do, either as a singer, as a musician, or as a person.
At a young age, I really wanted to make music and make my own sort of thing. I'm sure if it wasn't music, it would have been writing, or it would have been maybe painting. I just always had the drive to try and make something with my hands and to just pull something out of myself and shape it and see it in front of me, if that makes any sense.
I was listening to country at the time too, mostly because when I was a kid growing up in the country, all my friends would listen to the CMT crap and I really hated it. That would make me really angry. But when I got older I started discovering that there was actually good country music that could sort of take me back to my roots.
A soul singer is always singing to their crowd. They're always singing about their woes to you. And I really appreciate that when a singer is making you feel... when they're directing it at me. When they're including me.
Earlier in my career I just thought "I'm not very confident, I don't like singing to people." But people had some faith in me, and here we are. Sometimes I think "Oh maybe I should just be a backing singer." But I've got an amazing team of people who tell me to shut up when I'm like "Oh god, I can't do it." But now, I can't really imagine it being the other way.
Working with different people and do things that normally I would not do makes the music interesting for me to continue. It keeps me alive. When I'm doing something alone, that is mine, I know how it is. But when I'm working with someone else, I also see the view from the other, and usually learn something new, try something different. This is very important to my happiness.
The music that really moves me is music that's written by people where there isn't a lot of money and they're really singing with just their voice and a guitar about their feelings and about their life. Their poetry is relatively simple, in the sense that it's about their soul in jeopardy.
I consider myself as a singer first, but something that really helped me come into my own is that there's not a separation between me singing and me playing the guitar. The two fed off the other.
I had a lot of older musicians looking out for me, teaching me, and showing me things when they saw how interested I was in music from a young age. They would take me to the side and just play some things in my ear, and I would try to play it back to them.
I just try really hard to be me, and sometimes that means I'm unfiltered. I try to give people myself because I think making a great product is being in touch with how you feel about things and being able to express things. I really hope I can stay in touch with how I feel about things and I'm able to express that.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
Kitty Wells was the first and only Queen of Country Music, no matter what they call the rest of us. She was a great inspiration to me as well as every other female singer in the country music business. In addition to being a wonderful asset to country music, she was a wonderful woman.
With all the great products that are apparently out there that are undetectable, for me to take something like that... when people take things that now aren't even being tested for, does it make any sense?
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