A Quote by Carrie Underwood

I don't want to listen to everybody's problems all the time. And I doubt anybody wants to listen to mine. — © Carrie Underwood
I don't want to listen to everybody's problems all the time. And I doubt anybody wants to listen to mine.
Everybody likes to listen to a song because it's fun, and nobody wants to sit around and listen to 'I-really-have-to-analyze-these-lyrics' songs all the time.
I got my own sound in Atlanta because I don't listen to anybody's music. When you listen to people's music, you start to say stuff they say as an artist because that's what you've been listening to. Me, I don't listen to anybody. I support, but I don't listen, because I don't want to run with someone style. I do my own thing.
I am not the kind of person that wants to enforce my wants, likes, desires, on everybody else. I have no desire that everybody like what I like. I have no desire everybody say what I want to hear said. I have no desire everybody stop whatever they're doing and listen to what I have to say. I have no desire that everybody agree. No, that's not true. I do wish everybody agreed, but I'm not gonna sit around and force that on people.
I spent so much time focusing on haters that I forgot about the people that actually love me. And that's who I'm focused on this time around: the people that want to listen. The people that don't want to listen, don't listen. This is for the people that want to.
I love my family's music because I love it. It's good. I listen to the Winans all the time. I listen to BeBe and CeCe. I listen to Angie and Debbie. I listen to Uncle Daniel. I listen to Phase 2, my two brothers and my two cousins. I think they're incredible.
I listen to Meek, Blac Youngsta, Playboi Carti, Lil Uzi Vert, Kodak, Lil Bibby of course.I listen to pretty much everybody I like different music I listen to The Weeknd, I may listen to Common I might be in the crib and I might play some New Edition.
When I was younger I didn't want to listen to anybody, but now more than ever where I am in my life I understand how important it is to listen, observe, absorb, and let that all come out through your music.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble. I don't only listen to the guitar player.
I listen to NPR when I listen to the radio, but I don't listen to the radio that much. You know, I listen to Garrison Keillor, I listen to 'Prairie Home Companion.'
My philosophy for producing a record is for everyone involved, including myself, to get out of the way of the song, and at the same time, listen to it as closely as you can, and listen to where the song wants to go.
I don't listen to anybody's full record anymore and when I did, I don't think I listened to the whole record. I'm sorry, and I don't care who it is, if it's the Beatles, I can't listen to an hour and a half of anybody straight so I guess that's just my personal preference.
I can only listen to what I'm working on, at the time. I can't listen to anything else because I don't want to copy it.
I listen to my daughter. I listen to Paula, but I make the decisions. The decision to say goodbye to Cruise was mine.
I don't listen to music a lot in that I rarely sit down and put on a CD because I really want to treasure the silence that is there when I'm not practising. But when I listen to a piece, I listen to it often.
Teach your children to listen carefully and to speak thoughtfully. The best way to teach this is to listen carefully and speak thoughtfully to your children, from the time they are babies. Take their questions and ideas seriously... learning to speak and listen as if our words matter is fundamental to education. Dialogue is not the same as mindless chatter. Above all, listen, listen, and listen to your kids.
There are records I'll listen to one time and zero in on what's happening, and then I'll listen again to something I didn't notice the first time. The art of making records is something like this: you want to provide a multiplicity of experience in a single object, which is to say you want layers so that people can revisit and have something revealed to them that wasn't apparent the first time. We often will listen to the same music over and over again, and that tells you something, too.
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