A Quote by Carrie Underwood

I love being able to perform in front of people. I like potentially making a difference in somebody's day or somebody's life. — © Carrie Underwood
I love being able to perform in front of people. I like potentially making a difference in somebody's day or somebody's life.
Being somebody is better than not being somebody vis à vis what you want out of life. If you want to talk to interesting people and have them talk to you, and if you want enough money to live someplace pleasant and to go on trips and be able to help people you love, you simply have to be somebody.
I'm able to lead my life as well as make a film. My wife and my friends and people around me know that I do tend to distance myself a little bit during the making of a film, but I have to, it's a natural part of the process for me because you are indulging in the headspace of somebody else, you are investing in the psychology of somebody else and you are becoming somebody else, and so there isn't enough room for you and that somebody else.
Being somebody: it's one of the ideas in life, no? That's what my father made clear to me. The importance of being somebody. He wanted to be somebody. And he underlined to me the fate of trying to be somebody and not quite managing to do it.
There's a difference between being in love with somebody and being absolutley in love with somebody.
I've been able to learn a lot through diet and exercise, but I've got to tell you, it's having true love in your life and somebody who has your back 24 hours a day that makes the difference.
I'm giving you my life to prove to myself I can, I really can love somebody. Even when I'm not getting paid, I can give love and happiness and charm. You see, I can handle the baby food and the not talking and being homeless and invisible, but I have to know that I can love somebody. Completely and totally, permanently and without hope of reward, just as an act of will, I will love somebody.
I love music. I love making songs. I feel like I've been given a path where I can contribute, where I can protest if somebody does something really obviously wrong or inhuman right in front of me, where I can make a difference. Where I can most especially elevate, make you happy, elevate the condition, elevate the thing.
I love making music. I love that it's unstructured, that I get to go perform and play in front of people, to meet new people. I love to do the thing I'm best at every day.
I would just like to be able to give to people through acting. If I can entertain people by being somebody else and allow somebody to feel something, then that makes me feel good.
I love being able to perform in the ring in front of people, and that's the greatest feeling in the world.
There's a big difference between somebody who does acid on weekends and somebody who takes downers every day.
The act of being nice to somebody at Starbucks is actually a huge thing. It's a real change you can effect in somebody's life every day.
I think that a lot of artists have succeeded in making what I might call "curator's art." Everybody's being accepted, and I always want to say, "Really? That's what you've come for? To make art that looks a lot like somebody else's art?" If I am thinking of somebody else's art in front of your art, that's a problem.
It's always exciting to see different cities I love, and go on tour buses. It's so much fun to travel. My favorite part is being able to perform live in front of all these amazing people; being able to connect with them and seeing their reaction makes me feel very special.
When you're really bummed out, the last thing you want to hear is up-tempo and positive. And it lets you know that you're not alone, that somebody has hurt before. It works the same way with chick songs as it does with political songs. When you hear somebody singing about these things, you know that you're not alone, that somebody else is suspicious of what's going on around us in the world. So you don't feel like you're crazy, and you feel like you might be able to make a difference.
What you're trying to create is a certain kind of an indispensable presence, where your position in the narrative is not contingent on whether somebody likes you, or somebody knows you, or somebody's a friend, or somebody's being generous to you.
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