A Quote by Carrie Underwood
I think after coming off of 'American Idol'... people kind of expect you to just be awesome all the time, and we're still learning. I had a lot of stage experience, but it was in a 200-seat theater, you know - it wasn't thousands of people in front of me.
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As a singer-songwriter who gets up on stage and sings about those things that make me vulnerable is an amazing experience. You get up on stage and effectively take your clothes off in front of thousands of people.
'American Idol' gives people really wonderful opportunities, and they shouldn't take flak for what people do with that opportunity after they leave the show. A lot of casting rooms I was in, that was the only thing on my resume, and people would just be like, 'Oh, here's Katie Stevens. Another 'American Idol' girl who thinks she could be an actor.'
I don't come on to seduce the audience. I don't care if everyone laughs. I can't think about that anymore. If there's anything that a lot of experience on stage and a lot of stage time gives you is the confidence to know that it's ok if they're not laughing every second you're up there. Although that's what drives me and I still go too fast a lot of the time.
I think one of the things I was shocked about was how interested the world is in 'American Idol' and how people, writers, they write about 'Idol' all the time, and I guess I didn't expect that.
What I do on stage, you won't catch me doing off stage. I mean, I think deep down I'm still kind of, like, timid and modest about a lot of things. But on stage, I release all that; I let it
go.
I can go in front of thousands of people on stage and not be afraid, but when there's just a few people, that scares me.
Well, just coming off the stage and there's like 180,000 people out there and your adrenaline is going so high, and you're doing so much and it's hard to just put your head on the pillow and sleep because it just goes on and on, even after you're off the stage.
I think Splash made people realize that I was still alive, and I think I inspired a lot of people. I have people coming up to me all the time in the airport saying, "Hey, you inspired me to learn how to swim!" "You inspired me to start moving around more." "You inspired me to start doing more for myself." So that was good. But mostly I took it because nobody had given me a job. And you know what really matters in life, right?
Coming into tonight, I knew it was going to be a great race, ... In the 400, Laszlo put up a 4:10.1 earlier in the year, and so you expect him to put up a good time in (the 200). I knew Ryan was going to be fast coming off his short course season, and he's improved a lot since Athens, so I just wanted to go out there and relax a bit and go out there and do what I had to do.
People run on and off the stage, but usually they're removed before they get to me. It's not really frightening. There's always the possibility that someone's going to take a potshot at you; you take that risk when you perform in front of thousands of people.
Beyond just the respect that you want to have, people just miss out on being in the moment when they have a screen in front of their face. I just don't know to tell people. I feel it's like, you know, 'Turn off your phone and go to the theater.'
I started in comedy when I first started as an actor on stage and doing improvisational theater and stuff like that. So a lot of people who know me know that sort of side of me. But I got the roles that I got as an young actor kind of steered me in a different direction, which were, at times, darker characters. And so comedy was not something that came easy for people to think of my in those terms.
Playing in front of an audience was just such a turn-on for me, and you have 200 people in the audience and it's like doing live theater. And filming something that goes to millions of people several weeks later, it's an interesting dynamic.
I always sang after every dinner or when we had people over or when we had a show in school. I just loved to be on stage and sing in front of people.
After I left Yale, we were all doing these mad plays off - off Broadway. And I got back to that feeling I had from college, of everyone making up in front of one cracked mirror, which is what I loved - the scrappy theater idea. I think off-off Broadway healed me, made me an actor again, and I was in so many different crazy shows.
We put out press releases to tell people what had happened to me and that I had a large weight gain but a lot of people still didn't know. The ones that didn't know were floored. That was a real humbling experience for me.
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