A Quote by Carrie Vaughn

He's a bully. I love bullies. They have such big, shiny red buttons to push. — © Carrie Vaughn
He's a bully. I love bullies. They have such big, shiny red buttons to push.
A lot of times, I faced bullies - or the 'big dogs' at school. What I wanted 'Red Rising' to be is not necessarily an indictment on bullies, but it reflects my experiences and attitudes that I had with bullies growing up.
We have a family dynamic - more like brothers and sisters than friends. So there can be a bit of competition, but there's also love and respect. But there's a thing to not push each other's buttons. You know what the buttons are, so don't push them.
I don't push buttons to push buttons. Throwing the rebel card out there is really cheap.
I can't really deal with buttons. And that's what I keep saying, "Okay, I can't push buttons, because that means I have to take my hands off the keyboard or the buttons or whatever. Don't you understand!" .
What else does a manager do but push buttons? He doesn't hit, he doesn't run, he doesn't throw, and he doesn't catch the ball. A manager has twenty-five players, or twenty-five buttons, and he selects which one he'll use, or push, that day. The manager who presses the right buttons most often is the one who wins the most games.
I always loved the piano because it's just a bunch of buttons. I like to push buttons.
I was a bully in fifth and sixth grade. I wasn't one of the bullies - I wasn't strong or dominant enough to be one of the kids who bullied everyone in equal measure. I was a bully, in that I bullied a kid, whose name I won't mention here. My bullying was selective and personal.
A label's typical plan would be to put something out that's safer and get fans, and then push buttons, but my idea is to push buttons first, scare off the people who are gonna be scared off, and then the right people will like you for who you really are, and stay with you.
Donald Trump is sitting on the control deck of the starship Enterprise, and he can push a lot of pretty buttons, but those buttons aren't connected to anything. And so nothing is happening.
When I watch Rumble Johnson, he's a bully. He bullies guys. He makes them go backward, and he traps them. I'm not going to allow that. If he tries to bully me, I'll stand right in front of him, and if he hits me, I'll hit him right back. And then we'll see how the bully handles it when nobody is going to run away from him.
The key to writing for Richard (Pryor) was to just push his buttons and then know when to push the buttons on your cassette recorder. You'd get him started, then surreptitiously start recording when he got inspired and started walking around the room and improvising in character. Then you'd get it all transcribed and take credit for it.
If I decide to make a coat red in the show, it's not just red, I think: is it communist red? Is it cherry cordial? Is it ruby red? Or is it apple red? Or the big red balloon red?
The way to work with a bully is to take the ball and go home. First time, every time. When there's no ball, there's no game. Bullies hate that. So they'll either behave so they can play with you or they'll go bully someone else.
Certainly in the movie business there are bullies all over - bullies in the distribution business, exhibition business, production. Fine-tuning adult bullying is different. When a bully is an adult, it's a whole different set of colors.
America is a mere bully, from one end to the other, and the Bostonians by far the greatest bullies.
When you have empathy toward your opponents, it helps you destroy them quicker. Because you understand exactly who they are. You understand what buttons to push. You understand if they're insecure, if they fear embarrassment. And you can really hit those buttons to strike a nerve.
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