A Quote by Carrie Vaughn
Grand Central really didn't want me doing anything under my own name but the 'Kitty' novels.
Related Quotes
Novels with a "thesis" don't interest me. They just don't - novels that want to "show" something, that want to "argue" something specific. I don't read novels that are looking to convince me of anything.
Nick made me give away my Hello Kitty TV, my Hello Kitty microwave and my Hello Kitty toaster. I got to keep the Hello Kitty cordless phone.
Hello Kitty is an icon that doesn't stand for anything at all. Hello Kitty never has been, and never will be, anything. She's pure license; you can even get a Hello Kitty car! The branding thing is completely out of control, but it started as nothing and maintains its nothingness. It's not about the ego, and in that way it's very Japanese.
I do have two data identities. I have my name, Bruce Sterling, which is my public name under which I write novels. I also have my other name, which is my legal name under which I own property and vote.
I used the pen name because I knew I wanted to write better novels under my own name someday.
When parents want you to do really well academically, they want to avoid you getting into anything that would distract you - you know, rock and roll music, or really serious, long novels that you get so absorbed in, you forget to study.
I'm never going to be a Tom Clancy. And I wouldn't really want to be - not that I have anything against him, and I wish him continued success - because that's not why I'm writing novels. I'm doing it because I have to. I feel like I have to, anyway.
I want to be my own person. I want to make a name for myself instead of having the name attached to me.
My dad, Bob Blum, used to dash across Grand Central's main terminal catwalk several times daily as a young CBS correspondent, running copy from newsroom to studio and back - because CBS' first broadcasts were from Grand Central Terminal. The pictures on people's television sets used to shake when the trains came in!
I haven't even had a life I could call my own, and you're ready to slot me into the grand design. Well, I don't think I want to go. I want to be my own design.
The central question driving literary aesthetics in the age of the iPad is no longer 'How should novels be?' but 'Why write novels at all?'
I was in Manhattan during 9/11, and that was really the only thing that I related to as far as a disaster on a grand scale. It was really interesting to see on that day and in the weeks afterwards how people came together, and what people were able to do for each other, and what I found myself feeling and thinking and doing for the people around me, whether it was strangers on the street or my own family. It was really an experience that you can't fake.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
I got into an argument with my original publisher. They wanted me to do 'Kitty' and nothing else. I wanted to do lots of things, not just 'Kitty' books.
When I first got to L.A., I was stretching $20 a week, waiting tables, and I did that for about six months. I didn't mind it at all, I was really happy for that experience, but it made me really get aggressive about what I want. I've been doing this since I was eight, and never considered doing anything else, so I really had to kick it into gear.
I didn't really want to inject myself into anything political. A lot of people were asking me at the time about Jay and Conan, and I hate doing anything serious.
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