A Quote by Carroll O'Connor

Not all celebrities are dunces. — © Carroll O'Connor
Not all celebrities are dunces.
People have always been fascinated by people in the public eye and what they wear, what they are doing, but not in a tabloid way. Tabloid celebrities are a turnoff. A lot of celebrities...you wonder why they are celebrities.
Celebrities say they date other celebrities because they have the same job. But I think they just like dating famous people. Celebrities attract each other, like cattle.
What's awesome about social media is you curate your own experience. That leads to the rise of niche celebrities, who are actually just as popular as mass celebrities, but because there's no incentive for traditional media to invest in them as celebrities, they find a home where people can follow them on Instagram.
The truth is black celebrities are not as sought after in the press as white celebrities, and that is comforting.
I liked movers and shakers more than celebrities. I wasn't that interested in celebrities. I grew up without a TV.
A wit with dunces, and a dunce with wits.
When dunces are satiric, I take it for a panegyric.
I was doing a show in L.A. called 'Celebrity Autobiography,' where celebrities read excerpts from other celebrities' books and hang themselves with their own rope.
The defects of great men are the consolation of the dunces.
VITUPERATION, n. Saite, as understood by dunces and all such as suffer from an impediment in their wit.
We all appear as dunces when feigning an interest in things we care nothing about.
Yeah, I think A Confederacy of Dunces is probably the perfect New Orleans book.
Basically, I still have the privacy that all celebrities crave, except for those celebrities who feel that privacy reflects some kind of failure on their part.
An awful lot of female celebrities are very beautiful whereas a lot of male celebrities are not so hot.
The fact is that previously they were simply dunces and now they've suddenly become nihilists.
I would like to see 'A Confederacy of Dunces' by John Kennedy Toole adapted.
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