A Quote by Carrot Top

The street in the center of town was Butts road. I stole the sign and told the audience, this must be where the assholes live. I also had a Neighborhood Crime Watch - it takes about 20 seconds to break into a house but it took me an hour to unbolt this sign.
I had a Neighborhood Crime Watch sign in my dorm wall in college. People would come in and laugh at it. 'Where did you get it?' 'I took it. How good is their Neighborhood Crime Watch if they can't even watch their sign?'
When I look out [the window] at the big houses on either side of the road, it's obvious we've entered the rich side of town. Poor people don't post signs like NO TRESPASSING, PRIVATE DRIVE, PRIVATE PROPERTY, MONITORED BY CAMERA SURVEILLANCE. I should know because I've been poor my entire life, and the only person I know who ever posted a sign like these is my friend...and he actually stole the sign off a rich guy's yard.
After almost exactly three hours, we rolled into a small hole of a town that had one traffic light and a resturant simply marked DINER. There hadn't been any traffic on the road for over an hour, though, which was really the most important thing. We hadn't been followed. Sydney drove us to a building with a sign that read MOTEL. Apparently this town liked to stick to the basics when it came to names. I wouldn't be surprised if it was actually just called TOWN.
The sign of vigour, the sign of life, the sign of hope, the sign of health, the sign of everything that is good, is strength. As long as the body lives, there must be strength in the body, strength in the mind, [and strength] in the hand.
I live in the area where the Hollywood sign is. Every afternoon, I'll take a daily walk, and there are loads of tourists always on the street taking photos of the Hollywood sign. Occasionally, I'll still get recognized as 'Gunther,' which is okay with me.
When you need to borrow money the Mob seems like a better deal I think. 'You don't pay me back I break both yer legs.' Is that all? You won't take my house or wreck my credit rating? Fine where do I sign. Legs? Fine. You don't even have to sign anything.
Shoot, me, if I was going to go to war and you told me I could have Keith Lee, I'll sign up on that one. And you told me I could have the freaking UFC madman Matt Riddle - he's like the new Goldberg - I'll sign up on that one too. I love the guys.
I hate doing Tabatas - you do whatever you want at high intensity for 20 seconds, and then get a 10 second break and you repeat that for 8 minutes. So you can do jumping jacks for 20 seconds, you can do sprints for 20 seconds, etc. It's supposed to help you get your endurance up really fast.
I learned American Sign Language in college and seemed to pick it up rather quickly. I really love to sign and wish that I had more friends to sign with.
I told them that I would sign for five years, I would sign for 10 years, I will make my career here in Ring of Honor if you guys show me that you are looking to invest in me the way that I will invest in you. And the conversation, which I thought was going well, just randomly took a real hard turn.
I took an acting class for 10 seconds before I played a lead in a student movie. I showed the film to an agent who said he would send me on interviews but wouldn't sign me.
Sign at a Tennessee highway: When this sign is under water, this road is impassable.
It's sometimes discouraging to see all of a director's movies, because there's so much repetition. The auteurists took this to be a sign of a director's artistry, that you could recognize his movies. But it can also be a sign that he's a hack.
Right after we invaded Iraq, I put a sign on my lawn that said "War is not the answer." That sign was either defaced, ripped up, or stolen every week. I had to replace that sign twelve times.
My father was an entrepreneur - a sign maker, and he had about 20 employees - and often he'd take me to business meetings, and I would listen to him talk with his workers and customers. We would also talk a lot about business over dinner.
Modernism had two great wishes. It wanted its audience to be led toward a recognition of the social reality of the sign (away from the comforts of narrative and illusionism, was the claim); but equally it dreamed of turning the sign back to a bedrock of World/Nature/Sensation/Subjectivity which the to and fro of capitalism had all but destroyed.
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