A Quote by Carson McCullers
I'm not explaining this right. What happened was this. There were these beautiful feelings and loose little pleasures inside me. And this woman was something like an assembly line for my soul. I run these little pieces of myself through her and I come out complete. Now do you follow me?
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I was in line at a store and there was a little girl, she was standing in line next to me and some other girls had come up to me and recognized me from 'Pretty Little Liars.' When they walked away, this girl was staring at me, and her eyes got so big, and she started crying. It was, like, the cutest thing.
I'm working on something a little different. It's a technique I call, 'tantric abstinence.' Now, the way this works is I meet a woman, I charm the heck out of her, and then right as she's considering sleeping with me, I say something so awkward that she leaves and I have to start over again with another woman entirely.
Little Wing is like one of these beautiful girls that come around sometimes ... you play your gig; it's the same thing as the olden days, and these beautiful girls come around.. you do actually fall in love with them because that's the only love you can have. It's not always the physical thing of "Oh, there's one over there ...", it's not one of those scenes. They actually tell you something. They release different things inside themselves ... "Little Wing" was a very sweet girl that came around that gave me her whole life and more if I wanted it.
I let him run on, this papier-maché Mephistopheles, and it seemed to me that if I tried I could poke my forefinger through him, and would find nothing inside but a little loose dirt, maybe.
I just don't feel that we've traveled very far in the realm of social equality. There just seems to be a little bit of unrest. And sometimes I think that happens when you really feel like something's about to change. Right before the moment of lift off, sometimes things feel a little bit unhinged, and that's what it feels like to me right now, both as a woman and just as a human on the planet as an American woman in America. I feel like we're on the precipice of change. I feel a little nervous.
Sometimes I feel like there's a little bit of woman deep down inside of me, that when I put on the drag, she's able to come out.
When we were only acquaintances, you let me be myself, but now you're always protecting me... I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place!
Playing a character that allows me to play around with some of the feelings I have inside of myself and explore them - and maybe put them to rest a little bit, or at least come to terms with them - feels successful to me. I think it's about believing in what you do.
little sun little moon little dog and a little to eat and a little to love and a little to live for in a little room filled with little mice who gnaw and dance and run while I sleep waiting for a little death in the middle of a little morning in a little city in a little state my little mother dead my little father dead in a little cemetery somewhere. I have only a little time to tell you this: watch out for little death when he comes running but like all the billions of little deaths it will finally mean nothing and everything: all your little tears burning like the dove, wasted.
A part of me understands why a mother is equally proud of all her children, but that little boy inside me just wants my mom to say, out loud but even just to me, 'I'm a little bit prouder of you.'
Petunia relates to me more than any other. She was shy at first, but she's definitely come out of her shell, I can tell you that. Petunia is like this small little rabbit, but her big huge voice comes out of her little body.
I just wanted to honor who Emily was. She's just a strong woman. Through my journey of playing her, I found a lot of strength, and I think that I've changed, as a female, in the way that I carry myself. To go through something traumatic, like getting your face scarred, it made me analyze vanity a lot. When you have a little pimple and you're like, "Oh, my god, there's an alien on my face!," you feel like it's magnified.
For a female to write about her feelings, and then be portrayed as some clingy, insane, desperate girlfriend in need of making you marry her and have kids with her, I think that's taking something that potentially should be celebrated - a woman writing about her feelings in a confessional way - that's taking it and turning it and twisting it into something that is frankly a little sexist.
There [DreamTigers by Jorge Luis Borges] were these little fablesque things, you know, dream tigers, beautiful, beautiful pieces that when you read them had the power of a long piece, but they were prose, and they had the power of poetry, in that the last line wasn't the end, it was a reverberation, like when you tap on a glass made of crystal, and it goes ping.
Everybody's fast and strong, but to go out there and throw pass-rush moves or be able to do something different on the run to get them off balance. Anybody can run into somebody, but if you can shake them a little bit at the line, that's what's helped me out as a player.
To me, writing is a matter of voice. I think like that. The expression I sometimes use to myself is 'actual song.' That what I do is somewhere on the line between speaking to you as I am now and actual song. And the things I love when I say one of those poems to myself - it's a little bit like singing, it's a little bit like speaking.
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