A Quote by Carson McCullers

It is a curious emotion, this certain homesickness I have in mind. With Americans, it is a national trait, as native to us as the roller-coaster or the jukebox. It is no simple longing for the home town or country of our birth. The emotion is Janus-faced: we are torn between a nostalgia for the familiar and an urge for the foreign and strange. As often as not, we are homesick most for the places we have never known.
We are torn between nostalgia for the familiar and an urge for the foreign and strange. As often as not, we are homesick most for the places we have never known.
All men are lonely. But sometimes it seems to me that we Americans are the loneliest of all. Our hunger for foreign places and new ways has been with us almost like a national disease. Our literature is stamped with a quality of longing and unrest, and our writers have been great wanderers.
We need to be homesick for heaven. Though we have never been there, we still have something God has built within us that gives us a certain homesickness, a desire to be there.
I have done the merry-go-round and I have ridden the roller-coaster. I have made my choice. I choose the roller-coaster. There is more risk when you choose the roller-coaster, but at least you will know you have lived.
If you ant to feel deeply, you have to think deeply. Too often we separate the two. We assume that if we want to feel deeply, then we need to sit around and, well, feel. But emotion built on emotion is empty. True emotion- emotion that is reliable and does not lead us astray- is always a response to reality, to truth.
We are homesick most for the places we have never known.
When there is a fight of reason versus emotion and the mind wonders which one to follow, in most times, emotion wins over reason. But it is reason that should win and emotion shouldn't.
Fight sequence to me isn't just about the athleticism. It so often is about what the emotion that is behind it and how willing you are to really, really challenge that emotion or really take that emotion to that place so you're feeling a certain intensity for the whole time when you're shooting the actual physical scenes.
In 'Bombay-London-New York,' I speak of the ways in which the 'soft' emotion of nostalgia is turned into the 'hard' emotion of fundamentalism.
Philosophy, beginning in wonder, as Plato and Aristotle said, is able to fancy everything different from what it is. It sees the familiar as if it were strange, and the strange as if it were familiar. It can take things up and lay them down again. It rouses us from our native dogmatic slumber and breaks up our caked prejudices.
We are homesick for places, we are reminded of places, it is the sounds and smells and sights of places which haunt us and against which we often measure our present.
In this world, man has two significant possessions: intelligence and emotion. These two possessions govern our day-to-day life. But very often we see that emotion (ego) gets the upper hand in our life. We know that even if someone is extremely intelligent, when his emotion comes to the fore it will devour him. He is compelled to do what his emotion asks him to do.
I think the emotion between a child and a mother is the most beautiful and honest emotion you will ever get to see.
No emotion, merely as an emotion, is a sin, because we cannot directly control the arising of an emotion in our soul.
Beauty means this to one person, perhaps, and that to the other. And yet when any one of us has seen or heard or read that which to us is beautiful, we have known an emotion which is in every case the same in kind, if not in degree; an emotion precious and uplifting.
In order to find our bearings in the spiritual worlds and see truly what is there for us to see, we need a further inner trait in our character, a quality I should like to term 'presence of mind.' In ordinary life, this is the trait we need when faced with a situation that requires us to make an immediate decision without hesitation.
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