A Quote by Carson McCullers

The seed of the idea is developed by both labor and the unconscious, and the struggle that goes on between them. — © Carson McCullers
The seed of the idea is developed by both labor and the unconscious, and the struggle that goes on between them.
The dimensions of a work of art are seldom realized by the author until the work is accomplished. It is like a flowering dream. Ideas grow, budding silently, and there are a thousand illuminations coming day by day as the work progresses. A seed grows in writing as in nature. The seed of the idea is developed by both labor and the unconscious, and the struggle that goes on between them.
I'm a big believer in the collective unconscious. The idea that there is a deep connection between all of us that goes back to our ancestors and forward to the people who will come after us. It's essentially the job of the artist to anchor that nebulous space, and I think that's what a writer does: goes to that strange place and brings back these little trinkets. The unspoken experience percolated throughout the generations allows you to have knowledge of things you wouldn't know first hand.
They [anarchists] spring from a single seed, no matter the flowering of their ideas. The seed is liberty. And that is all it is. It is not a socialist seed. It is not a capitalist seed. It is not a mystical seed. It is not a determinist seed. It is simply a statement. We can be free. After that it’s all choice and chance.
The same old caveman feeling-greed, envy, violence, and mutual hate, which along the way assumed respectable pseudonyms like class struggle, racial struggle, mass struggle, labor-union struggle-are tearing our world to pieces.
Inside each of us, there is the seed of both good and evil. It's a constant struggle as to which one will win. And one cannot exist without the other.
The struggle between God and man breaks out in everyone, together with the longing for reconciliation. Most often this struggle is unconscious and short-lived. A weak soul does not have the endurance to resist the flesh for very long. It grows heavy, becomes flesh itself, and the contest ends. But among responsible men, men who keep their eyes riveted day and night upon the Supreme Duty, the conflict between flesh and spirit breaks out mercilessly and may last until death.
Reason and emotion are not antagonists. What seems like a struggle between two opposing ideas or values, one of which, automatic and unconscious, manifests itself in the form of a feeling.
Meditation goes in. Prayer goes out. But they both aim for the same place of union between you and the devine.
I feel that when a white child goes to school only with white children, unconsciously that child grows up in many instances devoid of a world perspective. There is an unconscious provincialism, and it can develop into an unconscious superiority complex just as a Negro develops an unconscious inferiority complex.
Labor, like Israel, has many sorrows. Its women weep for their fallen and they lament for the future of the children of the race. It ill behooves one who has supped at labor's table and who has been sheltered in labor's house to curse with equal fervor and fine impartiality both labor and its adversaries when they become locked in deadly embrace.
A seed depends on a whole host of factors to grow - from the fertility of the soil to the right mix of rain and sun to not being eaten by a passing bird. The same goes for an idea. For an idea to really take hold, other factors come into play, from timing to the emerging technology that makes it possible.
It is very hard to enroll people in anything. And there is a very big difference between the words motivate and inspire. Motivation means we have an idea and we are going to carry through on that idea. We work hard at it, and we are disciplined. A highly motivated person takes an idea, goes out there, and won't let anybody interfere with them. Inspiration is exactly the opposite. If motivation is when you get hold of an idea and carry it through to its conclusion, inspiration is the reverse. An idea gets hold of you and carries you where you are intended to go.
Big ideas come from the unconscious. This is true in art, in science, and in advertising. But your unconscious has to be well informed, or your idea will be irrelevant. Stuff your conscious mind with information, then unhook your rational thought process. You can help this process by going for a long walk, or taking a hot bath, or drinking half a pint of claret. Suddenly, if the telephone line from your unconscious is open, a big idea wells up within you.
The first idea, the first art piece I ever did, was when I was four. I cut the seed of a pear in half and the seed of an apple in half in put those two halves together and planted the seed, hoping a very strange tree might grow. And I never stopped.
Intentions are a lot like seeds. You shove them into the ground, and every once in awhile, you water them. Largely, the seed does most of the work on its own. If, on one hand, you were digging the seed up several times a day to see what progress was being made, the seed would not take purchase in the soil. On the other hand, if you completely ignored it, giving no water or nourishment to the soil, the seed might not thrive.
I begin with an idea, but as I work, the picture takes over. Then there is the struggle between the idea I preconceived... and the picture that fights for its own life.
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