A Quote by Carson Palmer

I cannot stand the Buckeyes, and having to live in Ohio and hear those people talk about their team, it drives me absolutely nuts. — © Carson Palmer
I cannot stand the Buckeyes, and having to live in Ohio and hear those people talk about their team, it drives me absolutely nuts.
There's always a Cena fan that wants to talk to me about it, and it drives me absolutely nuts. They'll come up to me in Cena stuff saying 'Why didn't you wrestle Cena?' Bro, I don't know.
You won't hear me talk about my politics, you won't hear me talk about my vegetarianism, you won't hear me comment on the Iraq war. You'll only hear me talk about being gay and being an actor. I am just public on those two issues.
I hate when people have food in their mouths and they don't swallow before they talk. Like, they store it in their cheek when they talk to you. It drives me nuts.
Bob Beckel and Juan Williams are two people who I love personally. But what they say drives me absolutely nuts.
People will come up to me at live events or wherever and have me sign Canadian flags or the old 'Team Canada' shirt and have me talk about those days back in 'Team Canada,' so it's a moment that I'm proud of.
When I hear alcoholics talk about having their demons, I think that they're probably absolutely literally correct.
Our band is very polarizing. There are people who absolutely can't stand us, and people who absolutely can't live without us. I'd rather spark those kind of polar-opposite feelings than have people be indifferent.
I belong to a bowling team with black and Latino coworkers. And when we get together and we talk about politics - I'm almost quoting him - he said, we don't talk about Black Lives Matters. We talk about what matters to our families. We talk about jobs, and we talk about the fate of the country. That is America, and you can reach those people.
What I've learned from my gurus is that when you hear music, you hear a person, or you hear people, and you hear everything about them in those moments. They reveal themselves in ways that cannot be revealed any other way, and it contains historical truths because of that. To me, that is the most important thing. It shouldn't be a footnote, or the last chapter. It should be the complete thesis about a book on listening.
Part of the problem with the word 'disabilities' is that it immediately suggests an inability to see or hear or walk or do other things that many of us take for granted. But what of people who can't feel? Or talk about their feelings? Or manage their feelings in constructive ways? What of people who aren't able to form close and strong relationships? And people who cannot find fulfillment in their lives, or those who have lost hope, who live in disappointment and bitterness and find in life no joy, no love? These, it seems to me, are the real disabilities.
When people ask me about my dialogue, I say, 'Don't you hear people talking?' That's all I do. I hear a certain type of individual, I decide this is what he should be, whatever it is, and then I hear him. Well, I don't hear anybody that I can't make talk.
There is something about being a director where, for me personally, I get to . . . it's the closest I'll ever come to being able to be a stand up. And to use my particular sense of humor, and hear people laughing, without me having to stand up in front of an audience and tell jokes.
Now about those ghosts. I'm sure they're here and I'm not half so alarmed at meeting up with any of them as I am at having to meet the live nuts I have to see every day.
For me as an actor, it's absolutely so thrilling to hear anybody talk about the character that I play.
I don't think I care about the hair as much as people think I do. It's just kind of there. It's not really a big deal to me. It actually drives me nuts. It's always in my face if I don't have a hat on. I might have to get rid of it.
When people pile seven things onto one burger, it drives me nuts!
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