A Quote by Carson Wentz
Everything that comes with the game, I think I will handle it extremely easily. I don't let a lot of that outside stuff bother me.
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You really need stitches," she tells me."Or you're going to have a scar." I try not to laugh. Stitches aren't going to help. They fix skin, cuts, wounds, heal stuff on the outside. Everything broken with me is on the inside. "I can handle scars, especially one's on the outside.
A lot of people have agencies to handle their social media, but I handle everything myself. That's why there are a lot of grammatical errors. When I write, it's all me!
I feel like I have to be on my game because I have to handle my solo stuff and Pentatonix stuff, so it has really kept me on my toes in a good way.
I think a lot of stuff like people's emails getting hacked or that an email you sent is stored on a hard drive somewhere, that kind of stuff worries me a little bit. It's a weird thought that someone else could get into my information that easily. That stuff's pretty scary.
When I got to college, my coach let me handle everything, from calling the plays to changing protections to checking in the run game. He let me do absolutely everything at the line.
When people underestimate or think my success has come easily, that doesn't bother me.
I can be extremely vulnerable. People are tough on me because they think I can handle it.
The generation that I'm in is extremely talented, and those that are still in school, my peers that are my age that will be out here really soon, you guys will see, will make a pretty easy transition on the PGA Tour. I don't think they will have a problem at all. The game is getting younger, and the game is getting better.
Any time you experience adversity, whether you lose a game or maybe have an official who makes a poor call that costs you the game, you've gotta handle yourself properly. Just like in life, not everything will go your way.
I'm a visual thinker, so I think of everything visually, first. A lot of what an issue will become for me starts with me thinking, "What's a great cover?," or "What's the splash image?," or "What is the title of the issue? How do I see the text?" I think about all of that stuff, and then the story comes out of that imagery.
I think before Twitter people didn't think that way, not in any sort of meaningful or specific way, so what I'm trying to say, if we're trying a bunch of stuff, a lot of cool and great social stuff, a lot of platform stuff, then some of it will stick, and some of it will be junked over. Some of it will be just like the cell phone, you can't imagine not having it.
What I don't think I knew when I was young was that 'losing your faith' is actually part of the plan for a lot of people - that it's actually maybe the most beautiful and graceful thing that can happen. The mystery of God can handle all of it. It can handle all of your thoughts, all of your doubts, all of your folly. It's all in the game.
I have a Tony Award now. It hasn't changed too much in the theater world, but it gives me entree for film stuff and TV stuff, where people will see me more easily now because they know me.
I think religion is very personal. I definitely identify as Muslim. I consider myself practicing, but I don't think people who observe me from the outside would think of me as devout, and that doesn't bother me because one of the beauties of Islam is the fact that it is personal: you read the Koran, and what you believe is what you believe.
When I was a kid and a young man I read everything. When I was about 23, I was incredibly lucky in that I wound up with several book review columns, which meant that I had to read huge amounts of stuff that was outside my experience and outside my comfort zone. I think every young writer should be forced to read the kind of stuff they would not normally read for pleasure.
I'm happy to say that at 62, I think I've reached that point where stuff doesn't bother me as much, and my gratitude level has gone way up, especially having gone through the loss that I've had, and losing so many of the great artists that I was close to. They taught me how to see it with a grain of salt and a lot of humor and perspective.
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