A Quote by Cary Grant
We have our factory, which is called a stage. We make a product, we color it, we title it and we ship it out in cans.
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The status quo is a product of our culture or our culture is a product of the status quo - I'm sure which is the effect and which is the product - there is probably a feedback loop there that is mutually reinforcing. But we have a culture that says "Hey, look around. This place called Earth was created for you and you can do anything you want with it."
You're basically competing with the same exact product. Coke and Pepsi are at least in different cans. Lyft and Uber drivers are just swapping out the mustache for the U on the dashboard, depending on which one they're getting the call on.
A single factory, potentially capable of supplying a whole continent with its particular product, cannot afford to wait until the public asks for its product; it must maintain constant touch, through advertising and propaganda, with the vast public in order to assure itself the continuous demand which alone will make its costly plant profitable.
When I choose the title [for my book], which was my favorite title, I felt sure there was going to be a dozen books maybe with that name already because it's so obvious to me that that's the message. I was surprised it hasn't been the title of a single book. Well, there is a Shel Silverstein children's book called Falling Upwards. But no one has chosen Falling Upward as a title and I'm very happy it's right on the cover.
When we got ready to ship out Firefox 1.0, the last set of things we did was to make it appealing to a consumer, to add the polish of a world-class product to it.
There's one thing which I hate about color films... people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.
The imagination is a dream factory of which realities are a by-product.
In Lords of Rainbow I start out by taking away color from the world, and in the process show color's vital place in our lives. At least I hope that by the end of the book it's a portion of what the reader comes away with - a sense of how much color perception enriches our lives and how its lack can make our sensory experience incomplete.
The title is the first thing that I have. Then when I have that title, I have to make sure that the title...is like, so...I have to make sure I can tell a whole story from that one title and like make sure that it, from beginning to end it makes sense.
I really think of it - acting and writing and producing, whatever - as shipping. You gotta ship. Put the widget together in the easiest, quickest way possible and ship the product.
Go find out if you can make your product. Once you make it, stop projecting what's going to happen and go find out whether your product can sell. Find out whether someone is willing to take hard-earned cash out of their pocket and exchange it for your product.
And when it is suggested that the inward feelings of power or inward monitions or losses of judgement are the germs out of which the divine machinery developed, I return that truth is just the reverse, that the presence of voices which had to be obeyed were the absolute prerequisite to the conscious stage of mind in which it is the self that is responsible and can debate within itself, can order and direct, and that the creation of such a self is the product of culture. In a sense, we have become our own gods.
A product is something made in a factory; a brand is something that is bought by the customer. A product can be copied by a competitor; a brand is unique. A product can be quickly outdated; a successful brand is timeless.
There's a lot of guys who use their likeness - to do movies, and do other business stuff, but not too many guys are actually making product. I'm making product, it's a different thing. A lot of guys are holding up Coke cans and get paid a lot of money to do that, but no one's making a Coke can. I'm the guy that's trying to make the Coke can.
We would just go out and line up a bunch of cans and shoot with rifles, handguns and at times, submachine guns... When I was a kid it was a controlled atmosphere, we weren't shooting at humans... we were shooting at cans and bottles mostly. I will most certainly take my kids out for target practice.
We haven't developed what some have called the precautionary principle which will say look, if there's a reason, if a product is safe, that's fine, but it's really the responsibility of an industry to tell us it's safe and to make sure it's safe. It's not our responsibility to wait until the damage is done.
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