A Quote by Cary-Hiroyuki Tagawa

My major intention for coming to Hollywood - besides the fact that I was just enamored with acting from a very young age - was that I was tired of seeing wimpy Asian actors. — © Cary-Hiroyuki Tagawa
My major intention for coming to Hollywood - besides the fact that I was just enamored with acting from a very young age - was that I was tired of seeing wimpy Asian actors.
With 'To All the Boys,' it's not an Asian rom-com. We tried to tell the coming-of-age story of a 16-year-old girl who just happens to be Asian.
From a very young age, I wanted to get up on stage whenever I went to the theatre - the actors just seemed to be having so much fun. One of my worries about theatre, in fact, is that the actors are quite often having more fun than the audience.
At the Academy Award Dinners all the actors and actresses in Hollywood gather around to see what someone else thinks about their acting besides their press agents.
British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from L.A., are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.
British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from LA, are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.
My life has been very much a roller coaster ride. Not just the boxing part, not just the acting part, just my childhood, what I was into at a young age and the things I was exposed to, it's just very abnormal.
I was tired of seeing the Graces always depicted as beautiful young things. I think wisdom comes with age and life and pain. And knowing what matters.
I had examples from a very young age of gay actors or personalities coming out in late '90s and early 2000s who faced a lot of backlash and didn't have a lot of support and risked ruining their careers.
I always felt that just being an actor is difficult. Being an Asian-American actor doesn't make it more difficult. I see it as an opportunity and a chance to help other Asian-American actors coming along.
Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.
Hollywood can be a really tough environment for anyone trying to make a living. Unfortunately for actors of color, namely Asian Americans, opportunities have been and remain substantially limited. One place this is not the case is on 'Hawaii Five-0,' where we have three Asian American series regulars and a landscape rich with diversity.
The endless teen franchises that come out of Hollywood... more often than not, the central character doesn't have any discernible character traits. They're just the young, good-looking guy who goes on this journey. They're always played by fantastic young actors, but ultimately, they're not very interesting characters.
I was enamored with music at a very young age. Everything started with kundiman, then evolved to Carpenters, Barbra Streisand, Barry Manilow, and eventually classic rock music.
There are no Asian leading men in Hollywood. There's not an Asian Ryan Gosling or an Asian Brad Pitt.
We should realise that Hollywood is not obliged to write roles for Asian actors.
Period films to me are very often alienating to the audience. There's very often a formality. A staunchy quality to them that comes from the misenscene. It also comes from the performances of the actors, because they're acting Victorian which really means that they're just acting the way they've seen previous actors act Victorian.
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