A Quote by Caryl Churchill

What's poetry? It's not real but maybe it's more than real. It's dreaming while you're awake. — © Caryl Churchill
What's poetry? It's not real but maybe it's more than real. It's dreaming while you're awake.
You're only awake when you realise you're awake and when you're dreaming, it is just as real, whatever happens is just as real - whether you actually do die in a dream or fulfil whatever you're doing in a dream, it's, there's nobody to tell me it isn't as real as this now, because how do you know?
We always know when we are awake that we cannot be dreaming even though when actually dreaming we feel all this may be real.
Artists and writers have to deal with the element that makes the real real and the dream real while you are dreaming it. That's where stories and poems get their power.
The good thing about writing books is that you can dream while you are awake. If it’s a real dream, you cannot control it. When writing the book, you are awake; you can choose the time, the length, everything. I write for four or five hours in the morning and when the time comes, I stop. I can continue the next day. If it’s a real dream, you can’t do that.
Men speak of dreaming as if it were a phenomenon of night and sleep. They should know better. All results achieved by us are self-promised, and all self-promises are made in dreams awake. Dreaming is the relief of labor,the wine that sustains us in act. We learn to love labor, not for itself, but for the opportunity it furnishes for dreaming, which is the great under-monotone of real life, unheard, unnoticed, because of its constancy. Living is dreaming. Only in the graves are there no dreams.
If you put a real leaf and a silk leaf side by side, you'll see something of the difference between Homer's poetry and anyone else's. There seem to be real leaves still alive in the 'Iliad,' real animals, real people, real light attending everything.
If you put a real leaf and a silk leaf side by side, youll see something of the difference between Homers poetry and anyone elses. There seem to be real leaves still alive in the Iliad, real animals, real people, real light attending everything.
What is dreaming, and what happens, and are there any real benefits to dreaming? Well, to take a step back, I think it's important to note that dreaming essentially is a time when we all become flagrantly psychotic.
I wanted to be a composer for a while, and for a while, and maybe still, I found writing music much easier than writing poetry. So maybe my brain clings to it.
Asleep vision (dreaming) is perception that is not tied down to anything in the real world; waking perception is something like dreaming with a little more commitment to what's in front of you.
Be real, because a mask only fools people on the outside. Pretending to be someone you're not takes a toll on the real you, and the real you is more important than anyone else.
The striking thing about New Girl is that under all the comedy, theres something about the emotions and reactions that feels very real - much more real than other sitcoms. Like - maybe everybody is sort of laid bare in different ways.
The striking thing about 'New Girl' is that under all the comedy, there's something about the emotions and reactions that feels very real - much more real than other sitcoms. Like - maybe everybody is sort of laid bare in different ways.
The Romney candidacy is better than it was four years ago, but it's not clear that it's good. Mitt needs to get good real fast: A real speech, real plan, real responses, and real fire in the belly.
Never mind. Point being that you don't have to get too worked up about us, dear educated minds. You don't have to think of us aas real girls, real flesh and blood, real pain, real injustice. That might be too upsetting. Just discard the sordid part. Consider us pure symbol. We're no more real than money.
Real poetry, is to lead a beautiful life. To live poetry is better than to write it.
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