A Quote by Caryl Churchill
I was fed up with the situation I found myself in in the 1960s. I didn't like being a barrister's wife and going out to dinner with other professional people and dealing with middle class life. It seemed claustrophobic.
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Too much of Indian writing in English, it seemed to me, consisted of middle-class people writing about other middle-class people - and a small slice of life being passed off as an authentic portrait of the country.
My son was born somewhat late in my life and I just found myself really feeling like I didn't want to miss out on being a parent and being with him, and not wanting a situation where I was constantly pulled back and forth between being present, and having all these other pressures and considerations.
I remember being 18 and being fed up with everything - fed up with society, fed up with the political system, fed up with myself - and then you kind of go, 'Actually, this voting thing is amazing,' because you have a chance to change it, right?
The light bulb going off in my head was a fear that in this pivotal moment in history, when America faces so many serious problems, when the middle class and working class of this country are being decimated, that there were not voices out there representing the tens of millions of people who needed a voice. And the idea of going through a campaign where there is not a serious discussion about the most important issues facing America, where there are not voices out there representing people who are hurting - that seemed to me unacceptable.
The size of the U.S. middle class has been shrinking. Wages have been stagnant. We don't have those factory jobs that paid a living wage and enabled a family to have a home where the wife did not have to work. But we sent our factories abroad and there is no likelihood of getting them back. Equally worrisome is that some managerial jobs and professional jobs (such as lawyers) which support middle class life are threatened by automation.
If I really want to improve my situation, I can work on the one thing over which I have control-myself. I can stop trying to shape up my wife and can work on my own weaknesses. I can focus an being a great marriage partner, a source of unconditional love and support. Hopefully, my wife will feel the power of proactive example and respond in kind. But, whether she does or doesn't, the most positive way I can influence my situation is to work on myself, on my being.
I've always been very interested in ensemble work. One reason why I don't go out and do a stand-up act is that I did it once and I found it unsatisfying. I don't really like being out there by myself. I like reacting with other people.
The American middle class always wants to be upper class and is scared to death of being lower class. It's a highly mobile group of people. They're not like the people that want to be shopkeepers forever, have always been shopkeepers and want always to be shopkeepers. These people mostly are insulted by being called middle class.
Since I still think of myself as a middle class guy, people get to see that side of me in films like 'Middle Class Abbayi.'
Unions sustained and fed the middle class. It's no coincidence that as union membership has continued to dwindle, so have the fortunes of the middle class.
Virtually all my conscious life I had been involved in theatre - I had been a child actor - but as a young man who had experienced the 1960s, British theatre seemed remote from my aspirations in life - theatre was still a posh thing, a middle-class thing, something for an elite.
I felt like the luckiest kid in the world. And I was. I was growing up middle-class in a time when growing up middle-class in America meant there would be jobs for my parents, good schools for me to prepare myself for a career, and, if I worked hard and played by the rules, a chance for me to do anything I wanted.
Being fed, and having a soft bed, and other people being in charge, seemed the most wonderful prospect in the world at that moment.
If we [black people] do not show up and support the march towards cinematic equality, the march towards being on a level at - we don't even have to be higher than whites, but to be viewed in the same common thread of this is a professional, these are stories that people are interested in, instead of being fed the same old BS dogma that's been fed and the studios have used.
One side of me is very busy paying attention to the details of life, the humanity of people, catching the street voices, the middle-class, upper-middle-class secret lives of Turks. The other side is interested in history and class and gender, trying to get all of society in a very realistic way.
The working class of England today have no vision of society beyond the acquisitive - no version of themselves or their habits as anything other than transitional, on their way up or on their way out. The working class, at best, is a waiting room for people who aim to become middle class if possible.
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