A Quote by Casey Abrams
There's got to be a backbone, there's got to be a skeleton to the whole way I perform, but you never want to hit the same note twice during a performance, I think. I think it's always got to be fresh so it doesn't bore me, and I always want to go out on edge.
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You never want to be in a defensive mode or have a defensive mindset. You always want to know that you're in control as the pitcher, you make him get hits, you're never passive, always aggressive. If I get beat, I want it to be because I got rocked, got hit hard, never because I walked a couple of guys and before you know it.
Truth is the same always. Whoever ponders it will get the same answer. Buddha got it. Patanjali got it. Jesus got it. Mohammed got it. The answer is the same, but the method of working it out may vary this way or that. (115)
Perseverance. I got cut twice. I got cut in Charlotte. I didn't have to go to Atlanta to audition. I could have said, "I'm not cut out for this." But I said, "I think I'm better than that, I can go try again." So I went to Atlanta and I made it through. Then I got cut the first time around. I could have told them I didn't want to come back for the Wild Card show but I did and look how far I got.
you've got to wish for something the whole time when you're seventeen. You've got to, or there's nothing to live for. However impossible you've got to think you want it. ... When I couldn't think of a thing I wanted I nearly died.
I'm a God-gifted fighter. I've got vision. I've got very good reaction. I've got a good jab. I seem to be able to hit and not get hit. I've got a good right hand, and that's my power hand. I like to mix it up. I'm never set on one style. I'm always doing something different, and I'm a sponge. I'm always learning more.
He never hurries. He never shows his cards. He always hangs up first....Like when we first started talking on the phone, he would always be the one who got off first. When we kissed, he always pulled away first. He always kept me just on the edge of crazy. Feeling like I wanted him too much, which just made me want him more....[It was] excruciating and wonderful. It feels good to want something that bad. I thought about him the way you think about dinner when you haven't eaten for a day and a half. Like you'd sell your soul for it.
Within my first year of moving abroad living on my own, my sister got ill - she got cancer - and at the same time, my mum got cancer, and she passed away. I think at that time it was a hard challenge for me to deal with it, but in a way, I have always taken strength out of anything that has come at me.
If you look at my body of work, there's always a dark side to my characters. They've always got a skeleton in the closet; they've always got a subtext.
If I want to tuck my son into bed and read him a story, but that means I have to take a red-eye to get to a concert - which I would never think of doing otherwise - that's just the way it is. Even if I can't hit the note that night, I got to tuck my child in!
I think every part of your game, on this golf course, needs to be good. You've got to hit every club in the bag. You need to drive it well, hit your irons well, and always, if you want to have a chance to win a Major, then you've got to putt it well.
I like the way [Marcus Lemonis] thinks. He's made me think about things in a different way. He's made me want to support small businesses in a very real way, seeing what these small-business owners go through and the struggle it is and the courage it takes to put your heart and money behind things at a 24-hour job. I think I relate to that as an actress and a writer and someone who works freelance, in many ways. It never ends, you never clock out. You've always got to keep things moving.
I never got into Linux. I swear to God, it's only lack of time. I'm past the years of my life where I can really dig into something like running a Linux system. I'm very sympathetic to the whole idea; Linux people always think the way I want to think.
I think laying out a beautiful picture in a beautiful way is a bloody bore. I think you've got to blow it right across the page and down the side, crop it, cut it in half, combine it with something else... do something with it. You've got to make something out of it.
I kept saying, "Stop me now. It's going to my head." I got some photos. Really, I did! It's not my noblest sexual self in these moments, but I want to have fun. I want to undress. I get off my leash to go out and perform. Some other writers are just discomforted by the way I behave in public. Because they're loath to perform.
I don't know if you want to call it, like, 'an old school guy' or what, but you've got to go out there; you've got to perform in order to get what you want. I'm willing to put my skills on the line and put my heart on the line just to say I'm the best and prove that I can achieve this title.
You have got to goad yourself toward a becoming that is in accordance with what you are innate. You have got to sometimes become the medicine you want to take. You have got to, you have absolutely got to put your face into the gash and sniff, and lick. You have got to learn to get sick. You have got to reestablish the integrity of your emotions so that their violence can become a health and so that you can keep on becoming. There is no sacrifice. You have got to want to live. You have got to force yourself to want to.
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