A Quote by Casey Abrams

I have musical ADD, so I like to switch things up. — © Casey Abrams
I have musical ADD, so I like to switch things up.
It's the warm-up in the changing room when I switch on. I don't even think about the fight until then. Some fighters are bouncing about the walls, but I switch off. Then it's like someone flicks a switch in me.
I'm like a child with musical ADD.
My life has been less like a light switch suddenly turning on, and more like a dimmer switch slowly turned up, over time, more in some moments than others.
Abnegation produces deeply serious people. People who automatically see things like need,” he says. “I’ve noticed that when people switch to Dauntless, it creates some of the same types. Erudite who switch to Dauntless tend to turn cruel and brutal. Candor who switch to Dauntless tend to become boisterous, fight-picking adrenaline junkies. And Abnegation who switch to Dauntless become . . . I don’t know, soldiers, I guess. Revolutionaries.
There are so many ways to decorate small spaces. One of my favorite things is throw pillows. They can add so much color to your room. You can have the same bedding for years and just switch out the throw pillows, and it looks like you have a completely new bed.
I just like to switch things up all the time. Like when it comes to singing, I try to find a different character for each song.
We incorporate various electronic devices - the echo plugs and things like that. Actually, all we're trying to do is make that sound musical. As opposed to just making sounds, we do musical things with them.
Note to self: being Kurt's son, being an ex-mental patient, getting into Harvard, having written a book, and being a doctor are all things that in and of themselves do not make a life. If you lean on them too hard, you'll find that there's not much there. But if you add up a lot of things that aren't in and of themselves enough, it almost starts to add up to something.
I personally love working out, but I always try to switch it up. I do a few different things, like SoulCycle, SLT for Pilates, yoga.
What gets people into trouble with records now is that they want to build something up without substantial musical ideas. Without that as a foundation, you can add all the layers of sound you want - it's still going to sound like a mess.
The Lakers are family. My kids don't have to switch schools. Little things like that are important. People don't think about things like that. I feel like something special is going to happen in this town.
Women don't give up things. They don't give up responsibilities. They add new things. They exhaust themselves and still don't give anything up. And. And. And. And. And they do all these other things at the same time, which can be exhausting.
I try not to focus on taking things away; I try to add in nutrient-rich foods into the things I eat. I don't say, 'I'm going to take out the fat.' I say, 'What can I add in to make my muscles work more? What can I add into this that will give me the vitamins I need?' It feels luxurious!
People do that all the time - they switch teams, switch coaches, switch camps.
I'm a good collaborative writer. I can usually come in and add a couple lines to something, and add a riff or a B-section, or a bridge that will tie things together. I can do stuff like that. But to write a whole song, I don't have the patience for that, I guess.
Originally I had a block about appearing in a musical. I went to a voice teacher for a while, but that did no good. My range is about one and a half notes. I ended up talking the musical numbers, which was revolutionary at the time. The lyrics are extremely intricate. They move along like a precisely acted scene. If you miss a word - heaven help you - the orchestra rattles past like an express train, and you've got to run like the devil to catch up.
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