A Quote by Casey Affleck
I moved out to LA, got an agent, started auditioning. I didn't know anything about how it worked. And since I was really bad, luckily, I didn't get any of those parts.
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I started acting when I moved to California when I was nineteen. I started auditioning. I was waiting on my manager at the time. I was waiting on her table, and she sent me on an audition. From there, I just kept auditioning and, luckily, got parts.
I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.
I definitely think it exercises an interesting muscle, auditioning for bad parts and trying to figure out how to make it real. I don't know what I'm talking about now.
I'd been auditioning for parts for years. I never got any better at it. I'm crap at auditions. I know there are people who can walk into those rooms and make those lines sing on the page and get the job immediately. I wasn't one of them. I'm still not one of them.
I was about 20 when my mom got sick with cancer and it was bad. It was very scary and at the time I was doing my first screenplay and I was on deadline and was alone with my father in Massachusetts. I said, "Pop, you know, I don't how I'm going to work. I don't know how I can get this done. You know, I got to hand this script in and I can't think about anything but Mom." He said, "Well, you know, now is the time when you're going to learn what it means to compartmentalize." And those words really had an impact on me.
After high school, I drove out to L.A. with a friend of mine who had just graduated also, and I started auditioning. I got an agent, but it was all 'Saved By the Bell' auditions.
When I was auditioning for Divergent, I was kind of in the dumps. I wasn't really happy with acting, and I didn't know if I wanted to do it anymore. I went on a bunch of auditions and nothing worked out. Then they said, "Hey, you got a callback for this thing, Divergent." Because I was in such a weird place in my life, I didn't look up what it was about, didn't look up the director, didn't look up that Shai Woodley was a part of it. I read the script, obviously, but I closed myself off from anything else.
My second or third year in the engineering department, I got very frustrated, and I sat down with myself and had a soul-searching conversation with myself and said, 'What I'd really like to do is see if I can write comedy.' ... I moved to L.A. stone cold. Didn't know anybody; didn't know how to go about it. Really started from scratch.
As an author, you think you know where the good parts and the bad parts are. And then you read to a group of children, and you learn when you're boring them, and you hurry through those sections to get to the parts where they're interested again. You start to get a sense of your story's rhythm and flow.
I didn't really take a lot of any on-camera classes or anything like that. I really just threw all of my energy into auditioning, and I know that I basically just did things based on feedback that I would get.
I remember going to him (Richard England) and saying, “You know, how come you don't give me any parts?” I did Raymonda and a couple of other nice parts, but mostly he was giving a lot of parts to the other girls. He said, “Those girls are short and they're not going to get into ABT, but I think you are going to get into ABT. I think you're going dance later, so I'm not worried about you.”
I was in theater school playing Lady Macbeth and doing these great dramatic parts, and then I got out into the real world and was auditioning for commercials, and just not getting to do anything that felt remotely meaningful.
After I left LA... it was like waking up. And so I moved back east and stopped auditioning.
The only parts I like out of any of those women books is the dirty parts. But I don't think their dirty parts are any good, really.
I was runner that really started focusing on swimming at a very young age, and that's kind of how I got into acting. I was at a school for gifted athletes and gifted artists, and I got injured one year and started hanging out with all the actors and dancers and all those crazy people and started getting the bug.
As long as you have those brilliant songs, it didn't matter how bad you played, or how bad he sang on 'em sometimes. It was one of those magical things that really worked, and I don't think could ever happen again.
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