A Quote by Casey Affleck
When a performance isn't working, it's usually because the actor is trying to do something and they're not able to express their idea very well. It's a muddled expression.
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I am freely able to express myself honestly to the public without trying to polish it over, trying to hide something. I'm just trying to be free with my expression.
If you have a great idea, you should be able to communicate it as well. It's like the sound of one hand clapping. You have a great idea but aren't able to express it - well, how great was the idea?
I've always had an overwhelming desire to express a particular set of ideas. As a musician, I'm always working with different people who can teach me new things and, through that, reach closer to an idea of this perfect expression. I'm never setting out to change the face of electronic music; I'm just trying to define this vision.
For me, some of the happiest moments on a live-action film are the awkward moments. One actor says something to another actor. They didn't expect that performance from that actor; that affects their return performance.
The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.
The habit of expression leads to the search for something to express. Something remains as a residuum of the commonplace itself, if one strikes out every commonplace in the expression.
My goal is to live the truly religious life, and express it in my music. If you live it, when you play there's no problem because the music is part of the whole thing. To be a musician is really something. It goes very, very deep. My music is the spiritual expression of what I am - my faith, my knowledge, my being.
I'm happy in a silent world - well, not a silent world but one that relies on - I'm in a pretty physical actor I suppose anyway, and I just don't - I don't struggle that idea of emotional expression just because there aren't words to explain yourself.
Whether you are a writer or an actor or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else.
Whether you are a writer, or an actor, or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else.
It's very hard sometimes when you can't crack something or can't solve something and you keep trying and trying and you know it's falling a little bit short. That's very hard, but then when you finally do it, it's very rewarding and the process is good too, I like working with people this way.
On stage I have to amplify some of my emotions with my back or make something a little bit more obvious because my audience might be very far away from me, or very high up and find it harder to read what I'm trying to express.
Because I express myself through the music, I want to be responsible in that expression and how it carries on well after I'm here. But that's just me.
There are very few actors in L.A. who can call their own shots. If you're able to work on something that you actually like working on, you're a very lucky person, and if you're able to keep it going, you're very fortunate.
I feel whatever an actor does on screen is something the actor 'does,' and what the director can do is to tell, talk or instruct. So, all the credit for an actor's performance goes to the actor alone.
But when there were certain moments or scenes that required a very specific nuance or performance, I myself would act out the scene or the sequence and that would inspire the actors. Of course, I can't really express emotions on camera, but I was very active in showing a certain action or a blocking for an actor. I would also participate in certain stunts myself and because of that, I would get bruises or cuts on my knees and elbows.
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