A Quote by Casey Affleck
I find that I kind of have to sink into the character.
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I always have to start with a character that I can really hook into, and then build from there. I have writer friends who start from a world, an object or some kind of concept that they then hone and widdle into a story. But, for me, it has to be a character that I can really sink my teeth into and live with, for months and months.
It depends on the scripts and the character and just everybody involved, the other actors and directors. It's just a gut feeling when you find something, you're like, 'Yes, I want to sink my teeth into that.'
I love accents, I would love to find more characters with a variety of vocal intonations. It creates a character. It’s like you're singing a song. Some people find their character through walking or movement — for me, voice is one of the ways I find parts of the character.
I love accents; I would love to find more characters with a variety of vocal intonations. It creates a character. It's like you're singing a song. Some people find their character through walking or movement - for me, voice is one of the ways I find parts of the character.
My wife and I never agree on the dishtowels. It's a matter of terms. She asks me not to put the dishtowel in the sink. So I drape it over the sink, but not in the sink. If that's our biggest problem, I think we're in good shape.
The character wherewith we sink into the grave at death, is the very character wherewith we shall re-appear on the day of resurrection.
When you have to play a character that seems to be a relatively decent person and seems to be like yourself, I think the trick in that kind of character, so that you don't become a cliche, is to find where their weaknesses are.
I sit in the sink (while applying makeup). I do. I've broken more sinks...I sit in the sink, on top of a big square sink in my bathroom with my feet in the basin so I'm very close to the mirror with the good light, and I'm very comfortable. I also manage to put my two phones in the sink so that nothing, but nothing, could get me out of there.
I find it inspiring and I always think when I'm working on something new, whether it's a new kind of character or a new kind of story or new kind of camera, it gets my creative wheels spinning.
When we want to sink a convoy, we send out an observation plane first... Of course, to observe is not its real duty, we already know exactly where the convoy is. Its real duty is to be observed...Then, when we come round and sink them, the Germans will not find it suspicious.
I basically enjoy doing films that are about something, that have complex roles that I can sink my teeth into. Basically, I gravitate to things that scare me. They might be things that I don't think I know how to play. I like trying to find within me where this character may exist. Whether is it is a fictional character or not I am not motivated by that. It is more about how challenging it is. It is just so happens that the more high profile things I have done have been historical characters.
I think everything you do, characters I always find, have their own voices and once you establish who that character is you find a different voice. I think it's just a question of establishing that character and the voice speaks through that character.
The ideal kitchen-sink novel: Throw in everything but the kitchen sink. Then add the kitchen sink.
When a director narrates a character, I find it normal to ask questions about the character's background, mood swings, eccentricities, behaviour... I do this to make my performance relatable. Directors who don't know their characters well find it difficult to answer these questions and, hence, find me annoying.
I kind of put myself out there a lot just because I trust the people I'm working with. You have to see what works and what doesn't. Sometimes it's not my job to find that out, it's just my job to do what the character calls for. And if you change the character I'll do that too.
I kind of cheer the presence of any gay characters at all - I think the more we can saturate television with any gay character or lesbian character or transgender character, I think that's a really great thing. We're kind of getting past the fact that they're the punchline or that they're the novelty.
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