A Quote by Casey Kasem

When I first heard rap, I wasn't quick to be critical. I couldn't understand what they were saying, but I had a feeling it was a reflection of what's been happening in the ghetto.
The Israeli mentality was totally different to mine. They just didn't understand people like me. They couldn't understand why I had been in a ghetto. We were totally different.
There [is] a feeling of recognition, as of meeting an old friend, which comes to us all in the face of great artistic experiences. I had the same experience when I first heard an English folksong, when I first saw Michelangelo's Day and Night, when I suddenly came upon Stonehenge or had my first sight of New York City - the intuition that I had been there already.
The first time I heard the Mars Volta, I had a feeling I was experiencing something that people must have felt when they first heard Led Zeppelin. They have the same kind of power.
It really really sunk into me when I went to Europe and they take rap so much more serious than we do here. That was the first time I ever heard rap considered folk music. And sometimes somebody will make you understand like, "Hey, what you doin' is serious, don't play it lightly 'cause it's changin' my life."
This whole urban rap thing needs to be pulled back some. The ghetto is being glorified, and there's nothing good about the ghetto except getting out of one.
I don't like rap that you can't understand. The youth is so quick and alert.
I think we all realized that we had really been replicating things that had already been happening. I don't know if we were smart enough to realize that we were in a cul-de-sac, but we were curious.
I can't freestyle or else I'll just start saying anything, so I'll write the song first and then record. I'll rap to the producer and he'll make the beat off my rap.
I had a roommate who refused to believe that there were black people from Australia and that I just had this accent. I got frustrated. I'm saying, 'mate, you've never heard of Aboriginals?' And he definitely never heard of the Torres Strait Islands.
You know, the market was down yesterday... my first thought when I heard-just on a personal basis, when I heard there had been this attack and I saw the futures this morning, which were really in the tank, I thought, Time to buy.
I never heard anything so brilliant in my life as I did that first time I heard Ornette. He played like some revolutionary angel. Soon, we were rehearsing in his place, music scattered everywhere, and he was telling me to play outside the chord changes, which was exactly what I had been wanting to do. Now I had permission.
It is impossible to put into words what we have been through. What happened exceeded our boldest dreams. The Germans fled twice from the ghetto... My life's dream has come true. Defense in the ghetto has become a fact. Armed Jewish resistance and revenge are actually happening. I have witnessed the glorious and heroic combat of the Jewish fighters.
I've never had a problem with someone saying "yeah you're pretty, but you can't rap." In fact, I've heard things about other artists, opposed to me. To make a long story short, I've never had a problem with that. My skills speak for themselves.
Rap, rap! upon the well-worn stone, How falls the polished hammer! Rap, rap! the measured sound has grown A quick and merry clamor. Now shape the sole! now deftly curl The glassy vamp around it, And bless the while the bright-eyed girl Whose gentle fingers bound it!
I always have been an entertainer, whether it's been joking or performing for people. And I always thought I had a talent, because I could rap and I could sing, and I did write. And all the other kids were going to college, but I just felt like I had to do this first, and if it didn't work, then I would go to college.
People come to L.A. and they expect to see a ghetto like the projects, but that's not the way it's set up. Inglewood, in particular, is the furthest thing from a ghetto. It's a middle-class community, but it's gotten a bad rap over the years... because of 'Grand Canyon' and 'Pulp Fiction' and other films.
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