A Quote by Casey Wilson
It's certainly strange to do sketch comedy with cue cards at midnight in a skyscraper as opposed to in a basement with your friends.
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When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
There was a male sketch group in my college. I was like why isn't there a female sketch group? So then I started doing sketch comedy and all that stuff. It just happened.
For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.
When you're doing sketch comedy and you're pregnant, it's like wearing a giant sombrero in every sketch.
That's what I love about sketch comedy: a sketch is five minutes, then it goes dark, and there's the potential for something else.
I've always been a big fan of comedy and sketch comedy, and I like to laugh, but you can't just be funny. You do have to work at it, and you have to try to know what your role is and when you can insert humor, or when it's best not to.
I'm a huge sketch comedy fan, and I think my love of sketch is reflected in my stand-up in that I do a lot of vignettes and voices and characters.
The biggest differences between Omaha and Hold'em is that you get four hole cards in Omaha as opposed to two in Hold'em, and in Omaha, you can only use two of your hole cards and must play three cards from the board.
My experience - and it might be just the kind of comedy that I do, which is usually sketch comedy - is that there's a lot more texture and subplot in drama than in comedy.
It's surprising to me how many of my friends send Christmas cards, or holiday cards, including my atheist and secular friends.
A couple of friends and I started a sketch comedy group when we were teenagers, just for fun and to start creating stuff. It was a blast.
I come from Oregon, which is this super-white state, so I didn't really have a lot of Asian friends in high school and college. And my background's in comedy, and your friends are just your peers in comedy, which is a whole mix of people.
To apply spin with security, you must learn to make a snug bridge with your forefinger looped over the cue. When you hit the cueball, follow straight through; don't let your cue rise in the air after impact.
Nobody wants to see sketch comedy that's the same sketch they've seen time and time again, or that's just a rehash of that thing.
The tip I would give is that once you play the shot, make sure your chin is touching the cue after you hit the cue ball.
I wrote a play at drama school, which was a dark comedy - people laughed and cried. And then my script of one of the shows was picked up by a comedy sketch company... so then I had to write comedy.
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