A Quote by Casey Wilson
There are sometimes concerns about being respectful with a gay character, and you either end up with a tiptoeing quality or an all-out cliche.
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I feel like Hollywood likes to use gay people to tell either really sad gay stories starring straight actors, or everything's about a struggle. Everything's about coming out. Nothing was about just living and breathing as a human being who happens to be gay.
I personally always have a hard time relating to queer characters in media because I didn't really see myself in them. They were kind of pigeonholed early on as the gay character, and they would naturally end up with the other gay character who would emerge at some point as their love interest.
Sometimes when you're working on a period piece, there's this tendency to be nostalgic about the period and do everything superglamorous, which can end up looking cliche.
For me, something will come in my head and I'll either end up calling my cell phone to record it, or I'll just pick my guitar up and see what comes out. Sometimes it sucks, sometimes it doesn't. So there's really no set method behind it.
Sometimes a scene may be about one thing, and it may end up still being about that, but the emotionality of it comes from somewhere else, or the humor of it comes from somewhere else, and it gives it that real-life quality.
You must be respectful and assenting, but without being servile and abject. You must be frank, but without indiscretion, and close, without being costive. You must keep up dignity of character, without the least pride of birth, or rank. You must be gay, within all the bounds of decency and respect; and grave, without the affectation of wisdom, which does not become the age of twenty. You must be essentially secret, without being dark and mysterious. You must be firm, and even bold, but with great seeming modesty.
Of course, even if the directors like my ideas or the designs I do, they may end up changing the story so much, that those characters have to change, or get cut out altogether, and that's just the way it is. Sometimes the directors are designers themselves, or they want to work with a character designer who will do things in their own distinct way - sometimes the most important thing I do is figure out what they don't want to do, by experimenting. Either way, whether they use my ideas or not, I get paid, so it's all good.
I consciously think about the ethnicity of every character that I create and cast. But one thing that is equally important is quality representation. It's not enough to put an African-American in there, a female in there, a gay character in there: How significant is their contribution? Can they drive the story?
I think being gay and gay people are the most wonderful things in the world. I wish all of us could have the power and pride to benefit from what is rightfully ours. Why isn't there an enormous building in Washington called the 'National Association of Lesbian and Gay Concerns' to lobby for us?
I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.
I think, almost, the film industry thinks that by making gay characters super masculine, it's an attempt at saying being gay is OK if you act like straight people. I don't think we should just have gay characters who are 100 percent femme, either. I just think it's about that mix and creating more diverse gay characters.
You think you're in a place where you're all 'I'm thrilled to be gay, I have no issues about being gay anymore, I don't feel shame about being gay,' but you actually do. You're just not fully aware of it. I think I still felt scared about people knowing. I felt awkward around gay people; I felt guilty for not being myself.
Honestly, when I first heard that there were rumors out there about me being gay, I thought, 'Wow, someone must really hate me.' There's nothing wrong with being gay, but I just couldn't understand why someone would make up lies like that.
I'm a supporter of gay rights. And not a closet supporter either. From the time I was a kid, I have never been able to understand attacks upon the gay community. There are so many qualities that make up a human being... by the time I get through with all the things that I really admire about people, what they do with their private parts is probably so low on the list that it is irrelevant.
Since I didn't grow up going to school dances, etc., I didn't have the normal . . . I grew up in a very different way so a lot of the childish concerns or teenage concerns weren't my concerns. My concerns were survival.
I don't buy into the idea that an Irish writer should write about Ireland, or a gay writer should write about being gay. But when I found the right story, I saw it as an opportunity to write about being a teenager and being gay. Most people, whether you're gay or straight or whatever, have experienced that relationship where one person is much more interested than the other.
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