A Quote by Cass Elliot

My role in the Mamas and Papas was basically just to sing. — © Cass Elliot
My role in the Mamas and Papas was basically just to sing.
The hardest one, the thing that made the greatest demand on me, was The Mamas & the Papas.
When I successfully bring the Mamas & the Papas movie to fruition, I hope that people will say, 'She's also a producer.'
My dad was a drummer for The Mamas & The Papas, and his mother was in the jazz world, so music has always been very much in my blood.
I was very aware of Jeff Buckley. My brother actually bought me The Mamas And The Papas and Jeff Buckley for my birthday when I was in my early teens.
Ron Reagan amazingly qualifies as an honest broker. I asked him if he was a mamas boy and he said no, more of a papas boy. At the same time he was willing to say that his father had many shortcomings and needed to be held accountable.
If you listen to the left track on their album, if you get The Best of the Mamas and Papas, you listen to the left track, you can still hear a little bit of my voice. My son discovered that once.
I call my tiki bar my tiki office, even though I also entertain out here all the time. This beautiful, open-air space is such a creative environment for me. It's where my writing partner and I wrote much of the script for a Mamas and Papas biopic that's in the works, and where I have my meetings.
I have loved music since I was a baby and had the chance to begin early. At 14 I had my first band, a quartet, and then many others until I was 19 playing Beatles, Rolling Stones, Mamas & The Papas, Crosby, Stills... today we'd call them "cover bands
The albums 'Heaven On Earth' and 'Runaway Horses' and 'Live Your Life Be Free' were harking back to when I was a young girl and listening to Californian radio - lush productions, complicated melodies, harmonies like the Beach Boys and the Mamas and Papas. That's what those albums remind me of.
The good mamas are often tough mamas.
I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
If I'm not mistaken, I believe it was written beforehand. And it just happened in rehearsals Basically giving each person their vocal-line and I ended up getting that line! I'm so grateful I did because it was really special to sing that and you feel something when you sing it it's a very distinct piece that fits perfectly in the production.
Well, basically there are two sorts of opera," said Nanny, who also had the true witch's ability to be confidently expert on the basis of no experience whatsoever. "There's your heavy opera, where basically people sing foreign and it goes like "Oh oh oh, I am dyin', oh I am dyin', oh oh oh, that's what I'm doin'", and there's your light opera, where they sing in foreign and it basically goes "Beer! Beer! Beer! Beer! I like to drink lots of beer!", although sometimes they drink champagne instead. That's basically all of opera, reely.
I just sing the songs that people don't expect you to sing, because I just love having fun at karaoke and I'm always a bit nervous to sing something serious.
I knew about 'Haunting Hour' and that it was basically the new 'Goosebumps'. When I got offered the role of Corey, I was really excited because I basically felt like I was going to be in a new generation of 'Goosebumps'. It was a lot of fun, because I just love those scary shows, and I'm such a big fan of the horror genre.
Basically, the way you get into any role is just doing research on the type of character you're playing.
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