A Quote by Cass McCombs
Thank god we don't know a lot about William Shakespeare or Moses or Homer or Lautréamont. These are the best guys we got, and their art is powerful because they're mysterious. Once biographical information contaminates your consciousness, it's impossible to erase it and look at someone's work the same way again.
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Thank God we don't know a lot about Shakespeare or Moses or Homer or Lautreamont. These are the best guys we got, and their art is powerful because they're mysterious.
Once biographical information contaminates your consciousness, it's impossible to erase it and look at someone's work the same way again.
Let us also once more rejoice in, and thank God for, the fact that we know nothing about Homer, and practically nothing about Shakespeare.
The question that comes up a lot is, if you had the chance to erase your memory of something specific, what would you erase? And my answer has always been, I wouldn't erase anything, personally. In some ways, I almost wouldn't want to erase anything from the public consciousness, either, for the same reason.
When you're playing someone who drinks a lot, it's not that interesting to play that condition because as soon as you know that, you got all the information you're going to get from it. It's like hitting the same note on the piano over and over again.
I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me.
I asked someone once why he liked Jean-Michel's work and why it was being singled out for acclaim, and he said, 'Because it looks like art.' But then again, art doesn't always look like art at first. The way the space shuttle that lifts off doesn't much resemble the space shuttle as it lands.
I've done a lot of Shakespeare onstage, and I'm not convinced that the Earl of Oxford was the author of all those works, but I am convinced that the Stratfordian William Shakespeare was not. My feeling is that it was an amalgamation of many writers, in the same way that most films are a collaborative endeavor.
I think that I would really like at first for the art to speak for itself. I don't see the need for a lot of personal information about my past or who I am. I would rather the personal side of it just be in the concepts and the genuine feelings that I filter through my work. I know that it's inevitable that people can find whatever they want about me. Once I've had a chance to create a language and a world with my art, then I'm more comfortable sharing that information.
You know, these guys want to talk about God; 'Oh, I want to thank God. I want to thank God.' Listen, I'm a God-fearing man, go to church every Sunday and have since I was a boy. But if I ever found out that God cared one way or another about a borderline illegal fist-fight on Saturday night, I would be so greatly disappointed that it would make rethink my entire belief system.
People don't know how to place me in their consciousness. They think, 'Oh, you must be here to make me look good. That's what gay guys are, right? You're an accessory for my straight life.' Just because your limited view is that everyone's there to serve you and that you're the only person in the world. It doesn't work that way.
Once you see someone lose it, you can never look at them the same way again.
I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting. It was a lot of work - anything other than Shakespeare was less work. I had a lot of interesting roles, but I don't point to them and say, "That was more interesting than that," because I don't know what the criteria are.
All the unimaginative assholes in the world who imagine that Shakespeare couldn't have written Shakespeare because it was impossible from what we know about Shakespeare of Stratford that such a man would have had the experience to imagine such things - well, this denies the very thing that separates Shakespeare from almost every other writer in the world: an imagination that is untouchable and nonstop.
Say thank you! I want to hear you say it now. Out loud. 'Thank you.' You're saying thank you because your faith is so strong that you don't doubt that whatever the problem, you'll get through it. You're saying thank you because you know that even in the eye of the storm, God has put a rainbow in the clouds. You're saying thank you because you know there's no problem created that can compare to the Creator of all things. Say thank you!
There's a lot of health information available on your smart phone. There's financial information. There's your conversations, there's business secrets. There's an enormous long list of things that there's probably more information about you on here than exists in your home, right. Which makes it a lot more valuable to all the bad guys out there.
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