A Quote by Cass McCombs

Lyrics are my racket; music is play - the fluff stuff. — © Cass McCombs
Lyrics are my racket; music is play - the fluff stuff.
It turns out there's only one thing that capuchins really, really love - and that's sweet stuff. If you give them a big vat of say, marshmallow fluff, and you let them go at it, what they'll do is eat their body weight in marshmallow fluff, walk away, they'll vomit, and they'll come back and eat their body weight again. And they'll vomit. And they'll do that for as long as there is marshmallow fluff out there. They love marshmallow fluff.
I want my fluff-fluff! (Bob) Fluff-fluff… (Zarek looked panicked.) (Zarek)
If you take the duality of things - like sunny-sounding music with weird lyrics on it - it makes this dichotomy. I've never had that because when I make music, I make major chords, happy-sounding stuff, and my lyrics are positive.
Life is a racket. Writing is a racket. Sincerity is a racket. Everything's a racket.
I get to play with pop music and mix up the style. It's fun to play with party music and nice to get into the club. My big love is songwriting. I write the lyrics and the vocals, and I work with the producers.
My parents are both musicians and made sure we all played music. My brothers and sisters all play instruments, so we'll get together whenever we can and play. We play a lot of classical music - you know, the good stuff.
The music, I think, is just as important as the lyrics; it portrays the emotion of the song. I play the kind of music that I want to listen to.
The one good thing about a movie and music and stuff like that: Sometimes it's a counterpoint between the movie and the music itself, the difference and the tension they build together. I think that could be something that helped with me, because when I write songs now, I write lyrics a bit like that. I try to make the music be an interesting twist on the lyrics and help tell the story in a - I don't tell crazy stories, you know? So a lot of times, the twist is in the subtleties. The twist is in the way the story's told.
At first, I was using my sister Susan's lyrics, as I could not write myself, only the music. And then one day, she and I had a fight, and she threatened to take away the lyrics from all the songs that I put the lyrics to, so it was that day that I began writing my first lyric to the music.
I try to pick music for a diner that doesnt involve a lot of lyrics, so you're not paying attention to that. As long as it doesnt dominate the party, it should be more atmosphere music. When I'm by myself, I never play music.
I got a reputation for being 'eclectic' or some damn thing like that, but to me, the different kinds of music I play are all the same stuff - good time music - and it is the only stuff I can do.
A right balance between music and lyrics is important. Music complements lyrics.
I usually start with a guitar riff or some little pattern of chords, and then I kind of go from there. Usually my lyrics are the last thing to go onto a song. For years and years I only ever did instrumental, so I'm still trying to get confidant with my lyrics and find the right balance. I'll generally get inspired from the music. I'll have a guitar line, and then I'll have a melody line, and I hook the lyrics up to fit that rhythm. So, my lyrics to tend be very rhythmic as well. They work with the music rather than the music works around them.
I got lot to do at a pretty young age in terms of emotionally challenging films. I did not do any fluff... fluff is not me.
I'm not really interested in participating in mainstream culture. Participating in the mainstream music business is, to me, like getting involved in a racket. There's no way you can get involved in a racket and not someway be filthied by it.
On TV, if you fluff your lines, nobody gives a toss. But if you fluff a penalty in the World Cup, well - we all know how much that matters.
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