A Quote by Cass Sunstein

The opening scene in A New Hope, when you see the huge ship, it goes on, and on, and on, and on, and on... that is like a joke of awesomeness. — © Cass Sunstein
The opening scene in A New Hope, when you see the huge ship, it goes on, and on, and on, and on, and on... that is like a joke of awesomeness.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
Life is like a ship. There's people dancing on a ship.There's a lot of money on the ship, but I cannot integrate on the ship or get equality on the ship.And I never could. I'm just in the galley working and I never could get up to see the captain of the ship.
I don't think a novel's main donation, main gift, is the document. The document is there, but a novel goes beyond documentation. It goes into opening a new vista, opening a new perspective, showing familiar things in an unfamiliar way, and making the reader reconsider the documentary facts which he or she may have known before.
A man may own a ship, but unless he is captain of a crew he goes where the ship goes.
There is a document in every novel in the world. Even in the most fantastic novel, even in science fiction, there is a documentary side. But, this side is not the crux of the matter. I don't think a novel's main donation, main gift, is the document. The document is there, but a novel goes beyond documentation. It goes into opening a new vista, opening a new perspective, showing familiar things in an unfamiliar way.
It's like a cosmic joke that people dream to perform in front of a huge crowd. But it is a welcomed challenge. I hope I always have that positive apprehension.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
Loretta Lynn, Tammy Wynette, Dolly Parton and I were the first female headliners, where we would book our own opening acts. Before that, it was a standing joke that it was more like we had 'pretty little girl singers' opening for a male headliner.
The realisation that, depending on where we changed from one note to the next in a melodic line, the music could subtly influence the entire meaning of a scene in so many ways was like a door opening to this amazing new world for me.
I really like the Chris-R scene and of course the "you are tearing me apart Lisa" scene. The reason I love the Chris-R scene is because we worked really hard to finish it. It's not just that though, it brings people together. Everyone is one the roof together by the end of the scene. You see the perspectives of the different characters. I feel like with all the connections in this scene that the room connects the entire world
We are like sailors who on the open sea must reconstruct their ship but are never able to start afresh from the bottom. Where a beam is taken away a new one must at once be put there, and for this the rest of the ship is used as support. In this way, by using the old beams and driftwood the ship can be shaped entirely anew, but only by gradual reconstruction.
To wear a beautiful new garment is like wearing a new idea, and I see them as the same thing. Opening my closet is a form of meditation. I pick whatever I feel is right for the day.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
We were all on this ship in the sixties, our generation, a ship going to discover the New World. And the Beatles were in the crow's nest of that ship.
I hope I'm Jessica Tandy, you know. I hope I'm onstage, and I fall over at 85 or something with everyone applauding thinking that it was a joke, you know, 'There she goes again,' and I'm just gone. I've gone to Heaven.
Like I said, a sketch is one joke. They shouldn't really be more than a minute, two minutes. There are some shows where the sketch goes on for five minutes. It's like, "I get it! I'm already bored. I did like the joke, but I don't anymore, because you went on too long."
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