A Quote by Cass Sunstein

Probably, if we looked at Da Vinci or Michelangelo with care, we'd see a historical particularity that the work is not treated as having. It's certainly true of Shakespeare. — © Cass Sunstein
Probably, if we looked at Da Vinci or Michelangelo with care, we'd see a historical particularity that the work is not treated as having. It's certainly true of Shakespeare.
Leonardo da Vinci was homosexual, so was Michelangelo, Socrates, Shakespeare, and almost every other figure that has formed what we have come to understand as beauty.
Tom Hanks, who starred in 'The Da Vinci Code,' turns out to be related to a number of the historic characters that feature in 'The Da Vinci Code,' including William the Conqueror and Shakespeare.
Shakespeare, Leonardo da Vinci, Benjamin Franklin and Abraham Lincoln never saw a movie, heard a radio or looked at television. They had 'Loneliness' and knew what to do with it. They were not afraid of being lonely because they knew that was when the creative mood in them would work.
I will say that adapting a character like Da Vinci really wasn't that dissimilar from doing Batman or Superman. Because all three of these guys are really iconic figures, and yes, Da Vinci was historical, but there's clearly been a lot of mythmaking about him, and a lot of things have been attributed to him that may or may not have happened.
Even Michelangelo and Leonardo da Vinci were entertainers. In that way, I am an entertainer and want to make art that is fun.
My introduction to art history was like everybody else's. You see an art history book that has works by Rembrandt and Leonardo da Vinci and Michelangelo. Yes, these things are great. But I don't see a reflection of myself in any of these things I'm looking at.
Art historians agree that Da Vinci's paintings contain hidden levels of meaning that go well beneath the surface of the paint. Many scholars believe his work intentionally provides clues to a powerful secret... a secret that remains protected to this day by a clandestine brotherhood of which Da Vinci was a member.
When you grow up looking at Superman, Batman, and all those superheroes, you take it for granted that is what superheroes are supposed to be. So then, when I see art books at the library, and I'm seeing Leonardo da Vinci and Michelangelo and Rembrandt, I think that's what artists look like.
It is no secret that I have read 'The Da Vinci Code' several times. I genuinely believe that 'The Da Vinci Code' and 'Angels And Demons' are, by far, Brown's best works.
Worldwide travel is not compulsory. Great minds have been fostered entirely by staying close to home. Moses never got further than the Promised Land. Da Vinci and Beethoven never left Europe. Shakespeare hardly went anywhere at all-certainly not to Elsinore or the coast of Bohemia.
Take a Nicodemus and put a Joseph Smith's spirit in him, and what do you have? Take a Da Vinci or a Michelangelo or a Shakespeare and give him a total knowledge of the plan of salvation of God and personal revelation and cleanse him and take a look at the statues he will carve and the murals he will paint and the masterpieves he will produce. Take a handel with his purposeful effort, his superb talent, his earnest desire to properly depict the story, and give him inward vision of the whole true story and revelation, and what a master you will have!
I never photograph anything I don't believe in. If I love working with death, it's because even in death I find this power of reality that no sculptor or painter could recreate, not even a Michelangelo or a Da Vinci.
It would be very tempting to say that why paint because we have Michelangelo, we have Leonardo [Da Vinci], we have all these guys. Why waste your time, because most likely you're not going to be on that level anyway.
I got married a bit late, I agree. In any other period of history I'd have been dead at that age and they'd have assumed I was gay. Like Michelangelo, or Leonardo da Vinci. But I was a late developer. I didn't go through puberty until I was 35.
You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
I think it's important to recognise that 'The Da Vinci Code' opened up a vast new audience for a general readership interested in historical detective stories and research into history.
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