A Quote by Cassadee Pope
I love when people cover songs that are familiar but have been kind of forgotten about.
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I really love that song. I love when people cover songs that are familiar but have been kind of forgotten about. So when you play it, it takes people back to a certain place. That's what I wanted for 'Torn.'
I was never particularly a part of the following of tango; I just liked it... most of all, I recognized that the urban content and the approach seemed very familiar and very connected to the songs that I was doing, the kind of songs that I wanted to write - the songs about the street.
It's always been about the songs for us. It doesn't matter about all the image stuff. We're really about making songs that people can relate to, that we love, that they will love, that we will enjoy playing live.
I've always covered some Dylan songs. I do one or two. And I do them because they're great songs. You know some people cover songs they wish they could have written, not me. I like to cover songs I know I could not have ever written.
Love songs are kind of like hymns if you think about it. Gospel songs are basically songs of adoration about God, or whatever you want to call Him.
I just love to play rock and roll. I love to write songs all the time
about what's up on these streets. I write songs about people getting killed; I write songs about people getting beaten up; I write songsabout people getting taken to jail by the police; and I also write songs about love and happiness.
I won because of the fact that people that are great, great American people have been forgotten. I call them the forgotten man and the forgotten woman. They've been forgotten.
it's about a love song to myself, and a love song to the universe, kind of like the way that Song of Solomon consists of love songs to God or like the way Sufi poems are erotic love songs to God, I kind of wanted something like that. Because I was getting to know myself more deeply at this point. I've always been on this track where I wanted to be enlightened.
I think my legacy is important because my songs - perhaps more than those of any other songwriter I know - cover every movement from 1965 on, socially and artistically. If you want songs about ecology, I've got ecology songs; if you want songs about spirituality, I've got spiritual songs.
It’s wonderful, it’s expressive. It’s a way of using a part of my instrument that I’m comfortable and familiar with. The voice is such a vital part of crafting a character. I’m so pleased that I have the kind of voice that prints well and that people want to hear. I’ve had friends actually say, ‘You know, I was in the kitchen, and the television was on and I heard you.’ I love hearing that there’s something familiar about my sound, and that to some people it’s soothing.
People get strange about whether you've written your own songs, which seems really stupid considering that, especially in Country Music, it's about oral tradition and passing things on and the songs weren't meant to be played by one person and then forgotten.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
Some of Eminem's rap songs kind of have the teenage love songs like the fifties love songs. It's kind of like domestic drama set to music. He is really good storyteller.
I had a long distance relationship going while we were writing the album so a lot of it is about that constant struggle— you look up at the moon and wonder if that person is looking at it too. I was trying to write love songs that weren’t sappy Ben Affleck movie songs, but kind of a … man’s love songs
For me as a songwriter, I love when other people cover my songs.
When you do have songs where you're going to say something, some kind of statement about cultural or social stuff, that in general people love it. People love to be challenged in that way.
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