A Quote by Cassadee Pope
My advice to anyone being picked on for being different or for working towards a dream is to remember it's never personal. These people don't actually dislike you at heart. They're just going through difficult things in their own personal lives.
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I still believe in the American Dream. I see it in terms of freedom, and a government that trusts its people to exercise freedom, that this is not a government that allows you to give, that allows you to explore, and doesn't dampen your own creativity - in the broadest sense - with a lot of dictums or dogmas or restraints. So, insofar as we can remain a free country that allows for the interplay of personal energies. I think this is still a country that is not only working towards a dream, but actually is the dream in action.
Some people seek meaning in life through personal gain, through personal relationship, or through personal experiences. However, it seems to me that being blessed with the intellect to divine the ultimate secrets of nature gives meaning enough to life.
There's no way anyone's going to understand my own personal experiences, where the songs came from, because they're mine. But I was very conscious of leaving loads of space in the songs so that people could interpret them with their own memories, feelings, and emotions. I love the process of taking stuff away so that people could finish the songs themselves. I was hoping it'd end up being as universal as possible, even though it comes from the most personal place.
Remember your dreams and fight for them. You must know what you want from life. There is just one thing that makes your dream become impossible, the fear of failure. Never forget your personal legend. Your silent heart will guide you. Be silent now. It is the possibility of a dream that makes life interesting. You can choose between being a victim of destiny or an adventurer who is fighting for something important.
Being a creative person is a really personal process so there is no one-size-fits-all advice, that's kind of the first thing I'd say. Because everybody's goals are different. Everybody's talents are different. Some women that I'm talking to want to create a television show. Some women want to be a director. They want to use comedy in different ways, and I find that really fascinating. The main thing I would say is, start! Just do it. Keep going. When people come at you with the negativity and the nos, you've got to ignore it. Push through.
The theme of the diary is always the personal, but it does not mean only a personal story: it means a personal relationship to all things and people. The personal, if it is deep enough, becomes universal, mythical, symbolic; I never generalize, intellectualise. I see, I hear, I feel. These are my primitive elements of discovery. Music, dance, poetry and painting are the channels for emotion. It is through them that experience penetrates our bloodstream.
It's weird being an author because it's different than writing songs. You put so much more of yourself out there to be judged because it's a memoir. So when the reviews come in, they all feel really personal. Some people are just going to hate you no matter what. Personally, I never believe good reviews. When people tell me they love the book, I just shrug and say, "Yeah, whatever." My shrink says it's all about the love within. You have to love yourself or you'll never be able to accept compliments from anyone.
Advice I would give to anyone trying to find their own personal style: don't copy anybody, just be yourself, and make your own trends.
Many people dream about being an entrepreneur, starting their own business, working for themselves, and living the good life. Very few, however, will actually take the plunge and put everything they've got into being their own boss.
I talk about being a 'what' to people. Like, being gay in mainstream society is a different kind of 'what' than being black. They don't always jive. It's confusing and leads to these really awkward personal stories that have just been in me for awhile.
I take pride in my music, I feel like it actually does something for people personally, in their personal lives, so it's real music and it helps people get through things like I was able to get through things.
This is the personal side of things. When I started going through some of those transitions in my mind, just as a human being versus as an artist, I tried to... Essentially, I did this thing called Landmark Forum. It's three days of mind-expanding, existential philosophy, like Jean-Paul Sartre for everyday living. In existential philosophy they talk about "Being and Nothingness," this idea of not putting meaning onto things, and that in that way you live more purely. In other words, we form reality from these stories that we make up about our lives.
I want to say that of course I want my writing to be read and discussed by as many people as possible, but this is different than wanting personal, "celebrity"-like attention. I'm very introverted and sensitive and dislike being talked about, positively or negatively.
So many times, we take things to heart and that eats us up, and we think it over and over again with work and our personal life. But most of the time, it is not personal. It may have nothing to do with you but, instead, what the other person is going through in their life.
It is precisely through the onset of old age, through loss or personal tragedy, that the spiritual dimension would traditionally come into people's lives. This is to say, their inner purpose would emerge only as their outer purpose collapsed and the shell of the ego would begin to crack open. The emphasis shifts from doing to Being, and our civilization, which is lost in doing, knows nothing of Being. It asks: being? What do you do with it?
Yeah, I was going to have no features on 'Bulletproof.' But I ended up putting Gucci Mane on it. That's just my partner. He's just one of my personal friends. It ain't no different for him from my homeboys in Memphis. I just have a real personal relationship. I met Gucci Mane through my partner Drumma Boy, the producer.
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