A Quote by Cassandra Clare

What's the point in wasting a perfectly good brick wall when you have someone to throw against it, that's what I always say. — © Cassandra Clare
What's the point in wasting a perfectly good brick wall when you have someone to throw against it, that's what I always say.
Anyway, he's [Simon] obviously not here. Go back to what you were doing. What's the point in wasting a perfectly good brick wall when you have someone to throw against it, that's what I always say." And she [Isabelle] stalked off, back toward the bar. - City of Fallen Angels pg 188 hardcover
You don’t try to build a wall, you don’t set out to build a wall. You don’t say ‘I’m going to build the biggest, baddest, greatest wall that’s ever been built.’ You don’t start there… You say ‘I’m going to lay this brick as perfectly as a brick can be laid.’ And you do that every single day and soon you have a wall.
As a dancer I had worked with really hard choreographers, Jerome Robbins being the toughest. And you learned what it is to hit against a brick wall. And you learned pretty quickly to go around the wall or say, "I can't take this job."
When I was a kid, we actually lived in a house that had been divided in two at one point, which meant that one room in our house opened up onto a brick wall. And I was convinced all I had to do was just open it the right way and it wouldn't be a brick wall. So I'd sidle over to the door and I'd pull it open.
Aren’t you going to say, I told you so?” Hadrian whispered. “What would be the point in that?” “Oh, so you’re saying that you’re going to hang on to this and throw it at me at some future, more personally beneficial moment?” “I don’t see the point in wasting it now, do you?
You say to a brick, 'What do you want, brick?' And brick says to you, 'I like an arch.' And you say to brick, 'Look, I want one, too, but arches are expensive and I can use a concrete lintel.' And then you say: 'What do you think of that, brick?' Brick says: 'I like an arch.'
A lot of people, I think, harbor some kind of ambition to write a novel - they say, 'One day I'm going to write a novel,' and they maybe find the first three pages quite easy, and then they hit a kind of brick wall, and they think that that brick wall means that they're not a writer.
The more serious the situation, the funnier the comedy can be. The greatest comedy plays against the greatest tragedy. Comedy is a red rubber ball and if you throw it against a soft, funny wall, it will not come back. But if you throw it against the hard wall of ultimate reality, it will bounce back and be very lively. Very, very few people understand this.
If you've got a Corvette that runs into a brick wall, you know what's going to happen. He's a Corvette. I'm a brick wall.
Anyone who's really utilized collaboration has a philosophy like, 'Let's throw it all against the wall and see what sticks.' That's how we do it. At a certain point, we're cutting scripts that we love.
I think my best songs come from me sitting at a piano, bashing my head against a brick wall for hours and hours on end to get one good melody.
I always say, my set is like building a brick wall that all the jokes are the bricks but the improv is the mortar. You piece it all together and have a certain flow to it.
Doing a little work around the house. I put fake brick wallpaper over a real brick wall, just so I'd be the only one who knew. People come over and I'm gonna say, "Go ahead, touch it... it feels real."
But I'm not saying anything because I've just noticed the brick. Or rather the lack of brick. Of course, some of the dark shapes on the floor probably are bricks, but they don't look like my brick. The one that can be up against the door. But isn't.
Writing a novel is like building a wall brick by brick; only amateurs believe in inspiration.
Climbing at altitude is like hitting your head against a brick wall - it's great when you stop.
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